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CIMA da Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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The Annunciation dfg
1495
Tempera and oil on canvas transferred from wood, 136,5 x 107 cm
The Hermitage, St. Petersburg
Painting ID:: 6027
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The_Annunciation_dfg
1495
Tempera and oil on canvas transferred from wood, 136,5 x 107 cm
The Hermitage, St. Petersburg
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The Annunciation (detail) dsg
1495
Tempera and oil on canvas transferred from wood
The Hermitage, St. Petersburg
Painting ID:: 6028
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The_Annunciation_(detail)_dsg
1495
Tempera and oil on canvas transferred from wood
The Hermitage, St. Petersburg
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St. Helena sdgdf
1495
Panel
National Gallery of Art, Washington
Painting ID:: 6029
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St._Helena_sdgdf
1495
Panel
National Gallery of Art, Washington
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Madonna of the Orange Tree dfg
c. 1495
Tempera and oil on panel, 12 x 139 cm
Gallerie dell'Accademia, Venice
Painting ID:: 6030
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Madonna_of_the_Orange_Tree_dfg
c. 1495
Tempera and oil on panel, 12 x 139 cm
Gallerie dell'Accademia, Venice
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Madonna Enthroned with the Child dfg
Panel
Galleria Nazionale, Parma
Painting ID:: 6031
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Madonna_Enthroned_with_the_Child_dfg
Panel
Galleria Nazionale, Parma
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CIMA_da_Conegliano
Italian Painter, ca.1459-1517
Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,
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