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CORNEILLE DE LYON
Dutch-born French Northern Renaissance Painter, 1500-1575
Dutch painter, active in France. It is uncertain whether he was apprenticed in his native city of The Hague or in Antwerp, and nothing is known of him before 1533, when he was recorded in Lyon. It was possibly in the same year, while the French court was resident in Lyon, that Corneille was made painter to Queen Eleanor, the second wife of Francis I. In 1541 Corneille was painter to the Dauphin (later Henry II), and when the new king succeeded to the throne (1547) and made his state entry into Lyon in 1548, Corneille became Peintre du Roi. Corneille had obtained his naturalization papers in December 1547 and retained French nationality for the rest of his life. He married Marguerite Fradin, the daughter of a Lyon printer of some importance, and this allowed him to enter Lyon society. His studio was extremely prosperous until c. 1565, the year he is known to have visited Antwerp, but disappeared completely after his death despite the fact that he founded a dynasty of painters. His sons Corneille de La Haye II (b 1543) and Jacques de La Haye and his daughter Cl?mence de La Haye were all painters, and the family continued to be known for its artists until the 18th century. Corneille de Lyon was a Protestant, like all those in the circles in which he moved, and it may be that the decline of his fortunes in the 1560s
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Portrait of a Woman vfdg
1530-40
Oil on wood, 20 x 15,5 cm
The Hermitage, St. Petersburg
Painting ID:: 6151
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Portrait_of_a_Woman_vfdg
1530-40
Oil on wood, 20 x 15,5 cm
The Hermitage, St. Petersburg
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Portrait of Gabrielle de Roche-chouart Portrait of Gabrielle de Roche-chouart vbd
c. 1574
Oil on wood, 16,5 x 14 cm
Mus??e Cond??, Chantilly
Portrait of Gabrielle de Rochechouart Portrait of Gabrielle de Rochechouart vbd
Painting ID:: 6152
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Portrait_of_Gabrielle_de_Roche-chouart_Portrait_of_Gabrielle_de_Roche-chouart_vbd
c. 1574
Oil on wood, 16,5 x 14 cm
Mus??e Cond??, Chantilly
Portrait of Gabrielle de Rochechouart Portrait of Gabrielle de Rochechouart vbd
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Charles de La Rochefoucauld Count of Randan (mk05)
Wood 6 1/4 x 5 1/2''(16 x 14 cm)Collection of Roger de Gaignieres;given in 1961 by Mme Claudius Cote R.F 1961-10 (MN)
Painting ID:: 20971
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Charles_de_La_Rochefoucauld_Count_of_Randan_(mk05)
Wood 6 1/4 x 5 1/2''(16 x 14 cm)Collection of Roger de Gaignieres;given in 1961 by Mme Claudius Cote R.F 1961-10 (MN)
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Pierre Aymeric (mk05)
1534
Wood 64 1/2 x 55 1/2''(165 x 142 cm)Acquired in 1976 R.F 1976 -15 (S/AR)
Painting ID:: 20972
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Pierre_Aymeric_(mk05)
1534
Wood 64 1/2 x 55 1/2''(165 x 142 cm)Acquired in 1976 R.F 1976 -15 (S/AR)
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Portrait of Gabrielle de Roche-chouart (mk08)
c.1574
Oil on wood,
16.5x14cm
Chantilly,Musee
Conde
Painting ID:: 21420
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Portrait_of_Gabrielle_de_Roche-chouart_(mk08)
c.1574
Oil on wood,
16.5x14cm
Chantilly,Musee
Conde
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CORNEILLE_DE_LYON
Dutch-born French Northern Renaissance Painter, 1500-1575
Dutch painter, active in France. It is uncertain whether he was apprenticed in his native city of The Hague or in Antwerp, and nothing is known of him before 1533, when he was recorded in Lyon. It was possibly in the same year, while the French court was resident in Lyon, that Corneille was made painter to Queen Eleanor, the second wife of Francis I. In 1541 Corneille was painter to the Dauphin (later Henry II), and when the new king succeeded to the throne (1547) and made his state entry into Lyon in 1548, Corneille became Peintre du Roi. Corneille had obtained his naturalization papers in December 1547 and retained French nationality for the rest of his life. He married Marguerite Fradin, the daughter of a Lyon printer of some importance, and this allowed him to enter Lyon society. His studio was extremely prosperous until c. 1565, the year he is known to have visited Antwerp, but disappeared completely after his death despite the fact that he founded a dynasty of painters. His sons Corneille de La Haye II (b 1543) and Jacques de La Haye and his daughter Cl?mence de La Haye were all painters, and the family continued to be known for its artists until the 18th century. Corneille de Lyon was a Protestant, like all those in the circles in which he moved, and it may be that the decline of his fortunes in the 1560s
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