Oil Painting Artist::. HIGHMORE, Joseph

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     HIGHMORE, Joseph
    English Painter, 1692-1780 English painter and writer. The son of a coal merchant and the nephew of Thomas Highmore (1660-1720), Serjeant-Painter to the King, he was articled to an attorney on 18 July 1707. Bored with his duties, he attended Kneller's Academy from 1713 and in 1715 abandoned law, setting up as a portrait painter in the City of London. From 1720 he attended the St Martin's Lane Academy, where he was able to study contemporary French styles in art and design, particularly that of Gravelot. He read widely and mastered Brook Taylor's system of perspective (1715). He also attended William Cheselden's anatomy lectures and contributed designs to that author's Anatomy of the Human Body (1722).

HIGHMORE, Joseph Mr. Oldham and his Friends f oil painting artist
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Mr. Oldham and his Friends f
c. 1750 Oil on canvas, 105 x 130 cm Tate Gallery, London

     Painting ID::  7484
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Mr._Oldham_and_his_Friends_f
c. 1750 Oil on canvas, 105 x 130 cm Tate Gallery, London

HIGHMORE, Joseph Pamela and Mr. B in the Summer House oil painting artist
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Pamela and Mr. B in the Summer House
1744, oil on canvas, Fitzwilliam Museum, Cambridge

     Painting ID::  19072
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Pamela_and_Mr._B_in_the_Summer_House
1744, oil on canvas, Fitzwilliam Museum, Cambridge

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     HIGHMORE,_Joseph
    English Painter, 1692-1780 English painter and writer. The son of a coal merchant and the nephew of Thomas Highmore (1660-1720), Serjeant-Painter to the King, he was articled to an attorney on 18 July 1707. Bored with his duties, he attended Kneller's Academy from 1713 and in 1715 abandoned law, setting up as a portrait painter in the City of London. From 1720 he attended the St Martin's Lane Academy, where he was able to study contemporary French styles in art and design, particularly that of Gravelot. He read widely and mastered Brook Taylor's system of perspective (1715). He also attended William Cheselden's anatomy lectures and contributed designs to that author's Anatomy of the Human Body (1722).

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