Oil Painting Artist::. KAUFFMANN, Angelica

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     KAUFFMANN, Angelica
    Swiss Neoclassical Painter, 1741-1807 Swiss-born Italian painter. She began studying art in Italy as a child, showing great precocity, and in 1766 her friend Joshua Reynolds took her to London. There she became known for her decorative work with architects such as Robert Adam. Her pastoral compositions incorporate delicate and graceful depictions of gods and goddesses; though her paintings are Rococo in tone and approach, her figures are Neoclassical (see Classicism and Neoclassicism). Her portraits of female sitters are among her finest works.

KAUFFMANN, Angelica Portrait of a Woman oil painting artist
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Portrait of a Woman
1795 Oil on canvas, 131 x 103 cm Museum of Fine Arts, Budapest

     Painting ID::  7720
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Woman
1795 Oil on canvas, 131 x 103 cm Museum of Fine Arts, Budapest

KAUFFMANN, Angelica Portrait of a Woman Dressed as Vestal Virgin sg oil painting artist
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Portrait of a Woman Dressed as Vestal Virgin sg
Oil on canvas, 91,5 x 71,5 cm Gemäldegalerie, Dresden

     Painting ID::  7721
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Woman_Dressed_as_Vestal_Virgin_sg
Oil on canvas, 91,5 x 71,5 cm Gemäldegalerie, Dresden

KAUFFMANN, Angelica Self-portrait (mk08) oil painting artist
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Self-portrait (mk08)
1780 Oil on canvas 130x102cm Frankfurt am Main, Goethe-Museum

     Painting ID::  21928
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-portrait_(mk08)
1780 Oil on canvas 130x102cm Frankfurt am Main, Goethe-Museum

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     KAUFFMANN,_Angelica
    Swiss Neoclassical Painter, 1741-1807 Swiss-born Italian painter. She began studying art in Italy as a child, showing great precocity, and in 1766 her friend Joshua Reynolds took her to London. There she became known for her decorative work with architects such as Robert Adam. Her pastoral compositions incorporate delicate and graceful depictions of gods and goddesses; though her paintings are Rococo in tone and approach, her figures are Neoclassical (see Classicism and Neoclassicism). Her portraits of female sitters are among her finest works.

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