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PARMIGIANINO
Italian Mannerist Painter, 1503-1540
Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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Self-portrait in a Convex Mirror a
c. 1524
Oil on wood, diameter 24,4 cm
Kunsthistorisches Museum, Vienna
Painting ID:: 8449
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Self-portrait_in_a_Convex_Mirror_a
c. 1524
Oil on wood, diameter 24,4 cm
Kunsthistorisches Museum, Vienna
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Cupid af
1523-24
Oil on wood, 135 x 65,3 cm
Kunsthistorisches Museum, Vienna
Painting ID:: 8450
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Cupid_af
1523-24
Oil on wood, 135 x 65,3 cm
Kunsthistorisches Museum, Vienna
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Rest on the Flight to Egypt ag
1524
Oil on panel, 110 x 89 cm
Museo del Prado, Madrid
Painting ID:: 8451
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Rest_on_the_Flight_to_Egypt_ag
1524
Oil on panel, 110 x 89 cm
Museo del Prado, Madrid
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Madonna dal Collo Lungo (Madonna with Long Neck) ga
1534-40
Oil on panel, 216 x 132 cm
Galleria degli Uffizi, Florence
Painting ID:: 8452
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Madonna_dal_Collo_Lungo_(Madonna_with_Long_Neck)_ga
1534-40
Oil on panel, 216 x 132 cm
Galleria degli Uffizi, Florence
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Madonna and Child sg
c. 1525
Oil on panel (arched), 58,8 x 34,1 cm
Galleria Doria-Pamphili, Rome
Painting ID:: 8454
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Madonna_and_Child_sg
c. 1525
Oil on panel (arched), 58,8 x 34,1 cm
Galleria Doria-Pamphili, Rome
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PARMIGIANINO
Italian Mannerist Painter, 1503-1540
Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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