Oil Painting Artist::. RIBALTA, Francisco

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     RIBALTA, Francisco
    Spanish Baroque Era Painter, ca.1565-1628 He was the most distinguished artist working in Valencia in the early 17th century. His move towards naturalism at an early date was significant for the history of Spanish painting as well as being very influential. His documented mature works after about 1620 show a change of vision, and they are also of the highest quality. The religious paintings are depicted with more pronounced realism, and his deeply felt spiritual belief is expressed in a direct and very immediate way. In 1607 Ribalta supported other leading Valencian painters in a move to form the Colegio de Pintores (College of Painters) to safeguard the interests of the profession. The expulsion of the Moriscos in 1609 and the death in 1611 of the Patriarch Archbishop Juan de Ribera, Ribalta's most important patron, led to an economic crisis and spiritual void in Valencia that had an effect on his activity, since thereafter commissions came more rarely, and his work became more introspective. During 1616 and 1617 the idea of forming the Colegio de Pintores was revived, and Ribalta took an active role in the management and signed the petition to Philip III seeking support for the Colegio.

RIBALTA, Francisco Christ Embracing St Bernard xfgh oil painting artist
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Christ Embracing St Bernard xfgh
Oil on canvas, 158 x 133 cm Museo del Prado, Madrid

     Painting ID::  8904
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Christ_Embracing_St_Bernard_xfgh
Oil on canvas, 158 x 133 cm Museo del Prado, Madrid

RIBALTA, Francisco St Francis Comforted by an Angel oil painting artist
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St Francis Comforted by an Angel
Oil on canvas, 204 x 158 cm Museo del Prado, Madrid

     Painting ID::  8905
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  St_Francis_Comforted_by_an_Angel
Oil on canvas, 204 x 158 cm Museo del Prado, Madrid

RIBALTA, Francisco Christ Embracing St.Bernard oil painting artist
 Click Image to Enlarge
Christ Embracing St.Bernard
mk61 Oil on canvas 158x113cm

     Painting ID::  28548
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Christ_Embracing_St.Bernard
mk61 Oil on canvas 158x113cm

RIBALTA, Francisco Christ Nailed to the Cross oil painting artist
 Click Image to Enlarge
Christ Nailed to the Cross
mk65 1582 Oil on canvas 57x41"

     Painting ID::  29173
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Christ_Nailed_to_the_Cross
mk65 1582 Oil on canvas 57x41"

RIBALTA, Francisco St.Vincent in a Dungeon oil painting artist
 Click Image to Enlarge
St.Vincent in a Dungeon
mk65 Oil on canvas 104x70"

     Painting ID::  29195
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  St.Vincent_in_a_Dungeon
mk65 Oil on canvas 104x70"

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     RIBALTA,_Francisco
    Spanish Baroque Era Painter, ca.1565-1628 He was the most distinguished artist working in Valencia in the early 17th century. His move towards naturalism at an early date was significant for the history of Spanish painting as well as being very influential. His documented mature works after about 1620 show a change of vision, and they are also of the highest quality. The religious paintings are depicted with more pronounced realism, and his deeply felt spiritual belief is expressed in a direct and very immediate way. In 1607 Ribalta supported other leading Valencian painters in a move to form the Colegio de Pintores (College of Painters) to safeguard the interests of the profession. The expulsion of the Moriscos in 1609 and the death in 1611 of the Patriarch Archbishop Juan de Ribera, Ribalta's most important patron, led to an economic crisis and spiritual void in Valencia that had an effect on his activity, since thereafter commissions came more rarely, and his work became more introspective. During 1616 and 1617 the idea of forming the Colegio de Pintores was revived, and Ribalta took an active role in the management and signed the petition to Philip III seeking support for the Colegio.

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