Oil Painting Artist::. Santi Di Tito

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     Santi Di Tito
    Italian Painter and Architect, 1536-ca.1602 was an Italian painter of Late-Mannerist or proto-Baroque style, what is sometimes referred to as Contra-Maniera. Born in Borgo San Sepolcro, in Tuscany. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558-1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (Homage of the People) alongside Giovanni de' Vecchi and Niccol?? Circignani. He acquired a classical trait, described as Raphaelesque by S.J. Freedburg. This style contrasted with the reigning ornate Roman painterliness of the Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino. Among his pupils was Cigoli. Another pupil named Francesco Mochi became a sculptor in the Baroque style, creating among other pieces, the colossal Saint Veronica', supervised by Gianlorenzo Bernini and placed in the crossing of St. Peter's Basilica in Rome. After returning to Florence in 1564, He joined the Accademia del Disegno, and he did not venture to paint outside of Tuscany. He contributed two unusual paintings for the Duke's study and laboratory, the Studiolo of Francesco I in the Palazzo Vecchio. This artistic project was partly overseen by Giorgio Vasari. These paintings are (the Sisters of Fetonte and Hercules and Iole).

Santi Di Tito Christ's Entrane into Jerusalem oil painting artist
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Christ's Entrane into Jerusalem
mk65 Oil on panel 137 13/16x90 9/16in Accademia,Gallery

     Painting ID::  29020
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Christ's_Entrane_into_Jerusalem
mk65 Oil on panel 137 13/16x90 9/16in Accademia,Gallery

Santi Di Tito The Depostition from the Cross with the Virgin,SS.Johnt the Baptist and Catherine of Alexandria,and the Patron,Bal-dassarre Suarez oil painting artist
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The Depostition from the Cross with the Virgin,SS.Johnt the Baptist and Catherine of Alexandria,and the Patron,Bal-dassarre Suarez
mk65 Oil on panel 78 3/4x66 1/8in Accademia,Gallery

     Painting ID::  29021
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Depostition_from_the_Cross_with_the_Virgin,SS.Johnt_the_Baptist_and_Catherine_of_Alexandria,and_the_Patron,Bal-dassarre_Suarez
mk65 Oil on panel 78 3/4x66 1/8in Accademia,Gallery

Santi Di Tito Portrait of Niccolo Macchiavelli oil painting artist
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Portrait of Niccolo Macchiavelli
mk68 oil on canvas Florence, Palazzo Vecchio c.1580 Italy

     Painting ID::  30524
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Niccolo_Macchiavelli
mk68 oil on canvas Florence, Palazzo Vecchio c.1580 Italy

Santi Di Tito Vision of St Thomas Aquinas oil painting artist
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Vision of St Thomas Aquinas
1593(1593) Oil on panel 233 cm (91.7 in). Height: 362 cm (142.5 in). cjr

     Painting ID::  76715
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Vision_of_St_Thomas_Aquinas
1593(1593) Oil on panel 233 cm (91.7 in). Height: 362 cm (142.5 in). cjr

Santi Di Tito Vision of St Thomas Aquinas oil painting artist
 Click Image to Enlarge
Vision of St Thomas Aquinas
1593(1593) Medium Oil on panel Dimensions Height: 362 cm (142.5 in). Width: 233 cm (91.7 in). cyf

     Painting ID::  80193
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Vision_of_St_Thomas_Aquinas
1593(1593) Medium Oil on panel Dimensions Height: 362 cm (142.5 in). Width: 233 cm (91.7 in). cyf

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     Santi_Di_Tito
    Italian Painter and Architect, 1536-ca.1602 was an Italian painter of Late-Mannerist or proto-Baroque style, what is sometimes referred to as Contra-Maniera. Born in Borgo San Sepolcro, in Tuscany. There is little documentation to support the alleged training under Bronzino or Baccio Bandinelli. From 1558-1564, he worked in Rome on frescoes in Palazzo Salviati and the Sala Grande of the Belvedere (Homage of the People) alongside Giovanni de' Vecchi and Niccol?? Circignani. He acquired a classical trait, described as Raphaelesque by S.J. Freedburg. This style contrasted with the reigning ornate Roman painterliness of the Federico and Taddeo Zuccari or their Florentine equivalents: Vasari, Alessandro Allori, and Bronzino. Among his pupils was Cigoli. Another pupil named Francesco Mochi became a sculptor in the Baroque style, creating among other pieces, the colossal Saint Veronica', supervised by Gianlorenzo Bernini and placed in the crossing of St. Peter's Basilica in Rome. After returning to Florence in 1564, He joined the Accademia del Disegno, and he did not venture to paint outside of Tuscany. He contributed two unusual paintings for the Duke's study and laboratory, the Studiolo of Francesco I in the Palazzo Vecchio. This artistic project was partly overseen by Giorgio Vasari. These paintings are (the Sisters of Fetonte and Hercules and Iole).

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