Oil Painting Artist::. Giovanni Migliara

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     Giovanni Migliara
    Italian 1785-1837 He began his career as a scene painter with Gaspare Galiari (1761-1823) in Milan, working at the Teatro Carcano in 1804 and at La Scala from 1805 to 1809. Owing to illness, after 1810 he turned to small-scale works in watercolour or oil using various supports, including silk and ivory. At this date Milanese painting was dominated by Andrea Appiani and Luigi Sabatelli, both leading Neo-classical artists. However, Migliara remained aloof from this dominant movement and instead drew on medieval and historical subjects with Romantic undertones. His precise, jewel-like technique and choice of subject-matter found favour with aristocratic patrons in Milan. His figures are generally stilted and burdened by their costumes, though the crowd in Sacking of Minister Prina's House (1814; Milan, Gal. A. Mod.) is depicted with unusual fluency. In 1822 Migliara was appointed Professor of Perspective at the Accademia di Belle Arti, Milan, and in 1833 he was nominated painter to the court of Charles-Albert, King of Sardinia (reg 1831-49). More typical of his historical scenes is Entrance to the Castle of Plessis de la Tour (Turin, Gal. Civ. A. Mod.), which was exhibited at the Brera in 1833. He also produced many topographically precise pictures of church interiors in which he combined his training as a scene painter with his knowledge of intaglio techniques.

Giovanni Migliara Interior of Basilica of San Lorenzo oil painting artist
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Interior of Basilica of San Lorenzo
mk68 Oil on canvas Milan,Milan Museum 1822 Italy

     Painting ID::  30678
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Interior_of_Basilica_of_San_Lorenzo
mk68 Oil on canvas Milan,Milan Museum 1822 Italy

Giovanni Migliara Veduta dei dintorni di Lecco oil painting artist
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Veduta dei dintorni di Lecco
1815(1815) and 1820(1820) Medium Oil on canvas cyf

     Painting ID::  87379
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Veduta_dei_dintorni_di_Lecco
1815(1815) and 1820(1820) Medium Oil on canvas cyf

Giovanni Migliara Veduta di piazza del Duomo in Milano oil painting artist
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Veduta di piazza del Duomo in Milano
Date 1819(1819) Medium Oil on canvas Dimensions Height: 47 cm (18.5 in). Width: 61 cm (24 in). cjr

     Painting ID::  87533
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Veduta_di_piazza_del_Duomo_in_Milano
Date 1819(1819) Medium Oil on canvas Dimensions Height: 47 cm (18.5 in). Width: 61 cm (24 in). cjr

Giovanni Migliara Veduta di Palazzo Ducale a Venezia oil painting artist
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Veduta di Palazzo Ducale a Venezia
1815(1815) Medium Oil on canvas cyf

     Painting ID::  88279
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Veduta_di_Palazzo_Ducale_a_Venezia
1815(1815) Medium Oil on canvas cyf

Giovanni Migliara Veduta di Palazzo Ducale a Venezia oil painting artist
 Click Image to Enlarge
Veduta di Palazzo Ducale a Venezia
1815(1815) Medium oil on canvas Dimensions Height: 34.7 cm (13.7 in). Width: 45 cm (17.7 in). cyf

     Painting ID::  91099
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Veduta_di_Palazzo_Ducale_a_Venezia
1815(1815) Medium oil on canvas Dimensions Height: 34.7 cm (13.7 in). Width: 45 cm (17.7 in). cyf

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     Giovanni_Migliara
    Italian 1785-1837 He began his career as a scene painter with Gaspare Galiari (1761-1823) in Milan, working at the Teatro Carcano in 1804 and at La Scala from 1805 to 1809. Owing to illness, after 1810 he turned to small-scale works in watercolour or oil using various supports, including silk and ivory. At this date Milanese painting was dominated by Andrea Appiani and Luigi Sabatelli, both leading Neo-classical artists. However, Migliara remained aloof from this dominant movement and instead drew on medieval and historical subjects with Romantic undertones. His precise, jewel-like technique and choice of subject-matter found favour with aristocratic patrons in Milan. His figures are generally stilted and burdened by their costumes, though the crowd in Sacking of Minister Prina's House (1814; Milan, Gal. A. Mod.) is depicted with unusual fluency. In 1822 Migliara was appointed Professor of Perspective at the Accademia di Belle Arti, Milan, and in 1833 he was nominated painter to the court of Charles-Albert, King of Sardinia (reg 1831-49). More typical of his historical scenes is Entrance to the Castle of Plessis de la Tour (Turin, Gal. Civ. A. Mod.), which was exhibited at the Brera in 1833. He also produced many topographically precise pictures of church interiors in which he combined his training as a scene painter with his knowledge of intaglio techniques.

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