Oil Painting Artist::. Andrea Appiani

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     Andrea Appiani
    Italian Neoclassical Painter, 1754-1817 was an Italian neoclassical painter. He was born at Milan. He had been intended to follow his father's career in medicine but instead entered the private academy of the painter Carlo Maria Giudici (1723?C1804). He received instruction in drawing, copying mainly from sculpture and prints. He then joined the class of the fresco painter Antonio de' Giorgi, which was held at the Ambrosiana picture gallery in Milan. He also frequented the studio of Martin Knoller, where he deepened his knowledge of painting in oils; and he studied anatomy at the Ospedale Maggiore in Milan with the sculptor Gaetano Monti. His interest in aesthetic issues was stimulated by the classical poet Giuseppe Parini, whom he drew in two fine pencil portraits. In 1776 he entered the Accademia di Belle Arti di Brera to follow the painting courses of Giuliano Traballesi, from whom he received a mastery of the fresco technique. His best pieces are in the church of San Maria presso San Celso and the royal palace at Milan, almost rival those of his master. He was made pensioned artist to the Kingdom of Italy by Napoleon, but lost his allowance after the events of 1814 and fell into poverty. During his stint as court painter he rendered portraits of Napoleon and the chief personages of his regime.

Andrea Appiani Recreation by our Gallery oil painting artist
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Recreation by our Gallery
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     Painting ID::  32617
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Recreation_by_our_Gallery
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Andrea Appiani General Desaix oil painting artist
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General Desaix
1800-01 Oil on canvas, 115 x 88 cm

     Painting ID::  44236
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  General_Desaix
1800-01 Oil on canvas, 115 x 88 cm

Andrea Appiani Allegory on the Peace of Pressburg oil painting artist
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Allegory on the Peace of Pressburg
1808 Oil on wood, 38 x 46 cm

     Painting ID::  44247
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Allegory_on_the_Peace_of_Pressburg
1808 Oil on wood, 38 x 46 cm

Andrea Appiani Madame Hamelin oil painting artist
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Madame Hamelin
1798(1798) Oil on canvas Width: 0.55 m (0.6 yd). Height: 0.7 m (0.8 yd). cjr

     Painting ID::  79180
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madame_Hamelin
1798(1798) Oil on canvas Width: 0.55 m (0.6 yd). Height: 0.7 m (0.8 yd). cjr

Andrea Appiani Portrait de Nicolas, comte Frochot, ou, Portrait de Pierre Etienne, comte Mejan oil painting artist
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Portrait de Nicolas, comte Frochot, ou, Portrait de Pierre Etienne, comte Mejan
1806(1806) Oil on canvas 99.5 x 74 cm (39.2 x 29.1 in) cjr

     Painting ID::  79828
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_de_Nicolas,_comte_Frochot,_ou,_Portrait_de_Pierre_Etienne,_comte_Mejan
1806(1806) Oil on canvas 99.5 x 74 cm (39.2 x 29.1 in) cjr

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     Andrea_Appiani
    Italian Neoclassical Painter, 1754-1817 was an Italian neoclassical painter. He was born at Milan. He had been intended to follow his father's career in medicine but instead entered the private academy of the painter Carlo Maria Giudici (1723?C1804). He received instruction in drawing, copying mainly from sculpture and prints. He then joined the class of the fresco painter Antonio de' Giorgi, which was held at the Ambrosiana picture gallery in Milan. He also frequented the studio of Martin Knoller, where he deepened his knowledge of painting in oils; and he studied anatomy at the Ospedale Maggiore in Milan with the sculptor Gaetano Monti. His interest in aesthetic issues was stimulated by the classical poet Giuseppe Parini, whom he drew in two fine pencil portraits. In 1776 he entered the Accademia di Belle Arti di Brera to follow the painting courses of Giuliano Traballesi, from whom he received a mastery of the fresco technique. His best pieces are in the church of San Maria presso San Celso and the royal palace at Milan, almost rival those of his master. He was made pensioned artist to the Kingdom of Italy by Napoleon, but lost his allowance after the events of 1814 and fell into poverty. During his stint as court painter he rendered portraits of Napoleon and the chief personages of his regime.

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