Oil Painting Artist::. Horatio Mcculloch

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     Horatio Mcculloch
    Scottish Landscape painter ,1805-1867 Scottish painter. He was trained in the studio of the Glasgow landscape painter John Knox (1778-1845) and at first earned his living as a decorative painter. By the early 1830s McCulloch's exhibits with the Glasgow Dilettanti Society and with the Royal Scottish Academy had begun to attract buyers, notably the newly instituted Association for the Promotion of the Fine Arts in Scotland. Commissions from book and print publishers allowed him to concentrate on easel painting. On his election as full Academician of the Scottish Academy in 1838, McCulloch settled in Edinburgh and soon became a prominent figure in the artistic life of the capital and a prolific contributor to the Royal Scottish Academy exhibitions. At the same time contact with Glasgow was maintained: McCulloch's favourite sketching grounds were in the west, he exhibited regularly in the city and his most loyal patrons were wealthy Glasgow industrialists such as David Hutcheson (1799-1881), the steamship owner. He seldom exhibited outside Scotland and only once at the Royal Academy, London (1843), but he kept in touch with London artist-friends, John Phillip, David Roberts and John Wilson (1774-1855), through correspondence and visits. His own art collection was evidence of his admiration for 17th-century Dutch painters, for J. M. W. Turner and Richard Wilson.

Horatio Mcculloch My Heart's in the Highlands oil painting artist
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My Heart's in the Highlands
mk81 1860

     Painting ID::  32809
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  My_Heart's_in_the_Highlands
mk81 1860

Horatio Mcculloch A View of Loch Lomond oil painting artist
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A View of Loch Lomond
A View of Loch Lomond; Oil on Canvas, 76 x 127 cm cjr

     Painting ID::  80324
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  A_View_of_Loch_Lomond
A View of Loch Lomond; Oil on Canvas, 76 x 127 cm cjr

Horatio Mcculloch Loch Fad, Isle of Bute oil painting artist
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Loch Fad, Isle of Bute
Loch Fad, Isle of Bute; Oil on Canvas, 53.5 x 75 cm Date 1844(1844) cjr

     Painting ID::  80325
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Loch_Fad,_Isle_of_Bute
Loch Fad, Isle of Bute; Oil on Canvas, 53.5 x 75 cm Date 1844(1844) cjr

Horatio Mcculloch A View of Loch Lomond oil painting artist
 Click Image to Enlarge
A View of Loch Lomond
Oil on Canvas, 76 x 127 cm cyf

     Painting ID::  84581
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  A_View_of_Loch_Lomond
Oil on Canvas, 76 x 127 cm cyf

Horatio Mcculloch Loch Fad oil painting artist
 Click Image to Enlarge
Loch Fad
Oil on Canvas, 53.5 x 75 cm Date 1844(1844) cyf

     Painting ID::  84586
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Loch_Fad
Oil on Canvas, 53.5 x 75 cm Date 1844(1844) cyf

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     Horatio_Mcculloch
    Scottish Landscape painter ,1805-1867 Scottish painter. He was trained in the studio of the Glasgow landscape painter John Knox (1778-1845) and at first earned his living as a decorative painter. By the early 1830s McCulloch's exhibits with the Glasgow Dilettanti Society and with the Royal Scottish Academy had begun to attract buyers, notably the newly instituted Association for the Promotion of the Fine Arts in Scotland. Commissions from book and print publishers allowed him to concentrate on easel painting. On his election as full Academician of the Scottish Academy in 1838, McCulloch settled in Edinburgh and soon became a prominent figure in the artistic life of the capital and a prolific contributor to the Royal Scottish Academy exhibitions. At the same time contact with Glasgow was maintained: McCulloch's favourite sketching grounds were in the west, he exhibited regularly in the city and his most loyal patrons were wealthy Glasgow industrialists such as David Hutcheson (1799-1881), the steamship owner. He seldom exhibited outside Scotland and only once at the Royal Academy, London (1843), but he kept in touch with London artist-friends, John Phillip, David Roberts and John Wilson (1774-1855), through correspondence and visits. His own art collection was evidence of his admiration for 17th-century Dutch painters, for J. M. W. Turner and Richard Wilson.

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