Oil Painting Artist::. Guido Cagnacci

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     Guido Cagnacci
     (January 19, 1601 - 1663) was an Italian painter of the late-Baroque period, belonging to the Forle painting school and to the Bolognese School. Born in Santarcangelo di Romagna near Rimini, he died in Vienna in 1663. He worked in Rimini from 1627 to 1642. After that, he was in Forle, where absorbed the lesson of the Melozzo's painting. Prior to that he had been in Rome, in contact with Guercino, Guido Reni and Simon Vouet. He may have had an apprenticeship with the elderly Ludovico Carracci. His initial output includes many devotional subjects. But moving to Venice under the name of Guico Baldo Canlassi da Bologna, he renewed a friendship with Nicolas Regnier, and dedicated himself to private salon paintings, often depicting sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene.This allies him to a strand of courtly painting, epitomized in Florence by Francesco Furini, Simone Pignoni and others. In 1650, he moved to Venice. In 1658, he traveled to Vienna, where he remained under patronage of the emperor Leopold I. His life was at times tempestuous, as characterized by his failed elopement (1628) with an aristocratic widow. Some contemporaries remark him as eccentric, unreliable and of doubtful morality. He is said to have enjoyed the company of cross-dressing models.

Guido Cagnacci Suicied of Cleopatra oil painting artist
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Suicied of Cleopatra
mk150 after 1659 canvas 140x159.5cm

     Painting ID::  39626
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Suicied_of_Cleopatra
mk150 after 1659 canvas 140x159.5cm

Guido Cagnacci Hl. Hieronymus oil painting artist
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Hl. Hieronymus
nach 1659 Oil on canvas :160 x 110,5 cm cjr

     Painting ID::  72036
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Hl._Hieronymus
nach 1659 Oil on canvas :160 x 110,5 cm cjr

Guido Cagnacci Maria Maddalena oil painting artist
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Maria Maddalena
Oil on canvas 75,5 ?? 65,4 cm cjr

     Painting ID::  76693
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Maria_Maddalena
Oil on canvas 75,5 ?? 65,4 cm cjr

Guido Cagnacci Kaiser Leopold I. (1640-1705) im Kronungsharnisch oil painting artist
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Kaiser Leopold I. (1640-1705) im Kronungsharnisch
um 1657/1658 Oil on canvas 190 x 120 cm cjr

     Painting ID::  76972
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Kaiser_Leopold_I._(1640-1705)_im_Kronungsharnisch
um 1657/1658 Oil on canvas 190 x 120 cm cjr

Guido Cagnacci Maddalena svenuta oil painting artist
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Maddalena svenuta
Maddalena svenuta, ol/tl, 86x72 cm Galleria Nazionale d'Arte Antica, Roma 1663 cjr

     Painting ID::  78763
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Maddalena_svenuta
Maddalena svenuta, ol/tl, 86x72 cm Galleria Nazionale d'Arte Antica, Roma 1663 cjr

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     Guido_Cagnacci
     (January 19, 1601 - 1663) was an Italian painter of the late-Baroque period, belonging to the Forle painting school and to the Bolognese School. Born in Santarcangelo di Romagna near Rimini, he died in Vienna in 1663. He worked in Rimini from 1627 to 1642. After that, he was in Forle, where absorbed the lesson of the Melozzo's painting. Prior to that he had been in Rome, in contact with Guercino, Guido Reni and Simon Vouet. He may have had an apprenticeship with the elderly Ludovico Carracci. His initial output includes many devotional subjects. But moving to Venice under the name of Guico Baldo Canlassi da Bologna, he renewed a friendship with Nicolas Regnier, and dedicated himself to private salon paintings, often depicting sensuous naked women from thigh upwards, including Lucretia, Cleopatra, and Mary Magdalene.This allies him to a strand of courtly painting, epitomized in Florence by Francesco Furini, Simone Pignoni and others. In 1650, he moved to Venice. In 1658, he traveled to Vienna, where he remained under patronage of the emperor Leopold I. His life was at times tempestuous, as characterized by his failed elopement (1628) with an aristocratic widow. Some contemporaries remark him as eccentric, unreliable and of doubtful morality. He is said to have enjoyed the company of cross-dressing models.

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