Oil Painting Artist::. Hieronimo Custodis

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     Hieronimo Custodis
     (also spelled Hieronymus, Heironimos) (died c. 1593) was a Flemish portrait painter active in England in the reign of Elizabeth I. A native of Antwerp, Custodis was one of many Flemish artists of the Tudor court who had fled to England to avoid the persecution of Protestants in the Spanish Netherlands.He is thought to have arrived in England sometime after the fall of Antwerp to the forces of the Duke of Parma in 1585. Three English portraits by Custodis signed and dated 1589 firmly establish him as resident in London by that year. Sir Roy Strong attributes a portrait of Sir Henry Bromley dated 1587 to Custodis, suggesting an earlier arrival, and has verified the recent attribution of a portrait of the young Edward Talbot dated 1586 to Custodis.In 1591, he was living in the parish of St Bodolph-without-Aldgate where "Jacobus the son of Ieronyme Custodis A Paynter" was baptised on 2 March. He is assumed to have died in 1593, as all of his known works are dated between 1589 and 1593, and his widow remarried that year. Custodis's unsigned but dated works are idenitified by "palaeographical peculiarities" in the inscriptions which can be closely matched to those in his signed portraits.

Hieronimo Custodis Field Marshal Sir William Pelham, Lord Justice of Ireland oil painting artist
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Field Marshal Sir William Pelham, Lord Justice of Ireland
oil on panel 90 x 72 cm Date 16th century cjr

     Painting ID::  83463
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Field_Marshal_Sir_William_Pelham,_Lord_Justice_of_Ireland
oil on panel 90 x 72 cm Date 16th century cjr

Hieronimo Custodis Sir John Harington and his wfie, Mary Rogers, Lady Harington oil painting artist
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Sir John Harington and his wfie, Mary Rogers, Lady Harington
c. 1590-95, oil on panel, 76.2 x 92.9 cm (30 x 36.6 in) Date c. 1590-95 cjr

     Painting ID::  87138
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Sir_John_Harington_and_his_wfie,_Mary_Rogers,_Lady_Harington
c. 1590-95, oil on panel, 76.2 x 92.9 cm (30 x 36.6 in) Date c. 1590-95 cjr

Hieronimo Custodis Portrait of a Gentleman, Probably Wilson Gale oil painting artist
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Portrait of a Gentleman, Probably Wilson Gale
1601. Oil on panel, 78.5 x 61.5 cm cjr

     Painting ID::  87837
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Gentleman,_Probably_Wilson_Gale
1601. Oil on panel, 78.5 x 61.5 cm cjr

Hieronimo Custodis Sir John Harington and his wfie oil painting artist
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Sir John Harington and his wfie
c. 1590-95, oil on panel, 76.2 X 92.9 cm (30 X 36.6 in) Date c. 1590-95 cyf

     Painting ID::  91839
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Sir_John_Harington_and_his_wfie
c. 1590-95, oil on panel, 76.2 X 92.9 cm (30 X 36.6 in) Date c. 1590-95 cyf

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     Hieronimo_Custodis
     (also spelled Hieronymus, Heironimos) (died c. 1593) was a Flemish portrait painter active in England in the reign of Elizabeth I. A native of Antwerp, Custodis was one of many Flemish artists of the Tudor court who had fled to England to avoid the persecution of Protestants in the Spanish Netherlands.He is thought to have arrived in England sometime after the fall of Antwerp to the forces of the Duke of Parma in 1585. Three English portraits by Custodis signed and dated 1589 firmly establish him as resident in London by that year. Sir Roy Strong attributes a portrait of Sir Henry Bromley dated 1587 to Custodis, suggesting an earlier arrival, and has verified the recent attribution of a portrait of the young Edward Talbot dated 1586 to Custodis.In 1591, he was living in the parish of St Bodolph-without-Aldgate where "Jacobus the son of Ieronyme Custodis A Paynter" was baptised on 2 March. He is assumed to have died in 1593, as all of his known works are dated between 1589 and 1593, and his widow remarried that year. Custodis's unsigned but dated works are idenitified by "palaeographical peculiarities" in the inscriptions which can be closely matched to those in his signed portraits.

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