Oil Painting Artist::. Giovanni Antonio Boltraffio

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     Giovanni Antonio Boltraffio
    was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.

Giovanni Antonio Boltraffio St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors oil painting artist
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St. Sebastian, detail from a Madona with Child, St. Sebastian, St. John the Baptist and two donors
Oil on wood, 1500. Dimensions H. (total) 1.86 m (6 ft. 1 in.) cjr

     Painting ID::  84672
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  St._Sebastian,_detail_from_a_Madona_with_Child,_St._Sebastian,_St._John_the_Baptist_and_two_donors
Oil on wood, 1500. Dimensions H. (total) 1.86 m (6 ft. 1 in.) cjr

Giovanni Antonio Boltraffio Virgin and Child oil painting artist
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Virgin and Child
between 1493(1493) and 1499(1499) Medium Oil on wood cyf

     Painting ID::  86947
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Virgin_and_Child
between 1493(1493) and 1499(1499) Medium Oil on wood cyf

Giovanni Antonio Boltraffio Virgin and Child with Sts John the Baptist and Sebastian oil painting artist
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Virgin and Child with Sts John the Baptist and Sebastian
1500(1500) Medium Oil on poplar cyf

     Painting ID::  87004
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Virgin_and_Child_with_Sts_John_the_Baptist_and_Sebastian
1500(1500) Medium Oil on poplar cyf

Giovanni Antonio Boltraffio Maria mit dem Kind oil painting artist
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Maria mit dem Kind
c. 1500(1500) Medium Oil on panel Dimensions 83 x 63.5 cm (32.7 x 25 in) cjr

     Painting ID::  88141
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Maria_mit_dem_Kind
c. 1500(1500) Medium Oil on panel Dimensions 83 x 63.5 cm (32.7 x 25 in) cjr

Giovanni Antonio Boltraffio Baptist and two donors oil painting artist
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Baptist and two donors
Oil on wood, 1500 cyf

     Painting ID::  88570
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Baptist_and_two_donors
Oil on wood, 1500 cyf

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     Giovanni_Antonio_Boltraffio
    was an Italian painter of the High Renaissance from Lombardy, who worked in the studio of Leonardo da Vinci.[2] Boltraffio and Bernardino Luini are the strongest artistic personalities to emerge from Leonardo's studio. According to Giorgio Vasari, he was of an aristocratic family and was born in Milan. His major painting of the 1490s is the Resurrection (painted with fellow da Vinci pupil Marco d'Oggiono and now in the Gemäldegalerie, Berlin). A Madonna and Child in the Museo Poldi Pezzoli of Milan, is one of the high points of the Lombard Quattrocento. His portraits, often in profile, and his half-length renderings of the Madonna and Child are Leonardesque in conception, though the clean hard edges of his outlines lack Leonardo's sfumato. In Bologna, where he remained in 1500-1502, he found sympathetic patrons in the Casio family, of whom he painted several portraits and for whom he produced his masterwork, the Pala Casio for the Church of the Misericordia (Louvre Museum); it depicts a Madonna and Child with John the Baptist and Saint Sebastian and two Kneeling Donors, Giacomo Marchione de' Pandolfi da Casio and his son, the Bolognese poet Girolamo Casio[3], who mentioned Boltraffio in some of his sonnets. Boltraffio's portrait of Girolamo Casio is at the Pinacoteca di Brera, Milan.

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