Oil Painting Artist::. BOEL, Pieter

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     BOEL, Pieter
    Flemish Baroque Era Painter, 1622-1674 Flemish painter, draughtsman and etcher. He came from an artistic family: his father Jan Boel (1592-1640), was an engraver, publisher and art dealer; his uncle Quirin Boel I was an engraver; and his brother Quirin Boel II (1620-40) was also a printmaker. Pieter was probably apprenticed in Antwerp to Jan Fyt, but may have studied previously with Frans Snyders. He then went to Italy, probably visiting Rome and Genoa, where he is supposed to have stayed with Cornelis de Wael. None of Boel's work from this period is known. In 1650 he became a master in the Antwerp Guild of St Luke (having given his first name as Jan, not Pieter). His marriage to Maria Blanckaert took place at about the same time. Boel dated only a few of his paintings, making it difficult to establish a chronology. He is best known for his hunting scenes, some of which clearly show his debt to Snyders, but the dominant influence on his work was that of Fyt, particularly evident in his emphatic brushwork. However, Boel was more restrained both in his treatment and in his handling of outline. He also borrowed the theme of open-air hunting still-lifes (e.g. Feathered Game with Three Dogs; Madrid, Prado) from Fyt, but he painted other subjects as well, such as the monumental Vanitas Still-life (e.g. 1633; Lille, Mus. B.-A.).

BOEL, Pieter Still-Life with Dead Wild-Duck gfh oil painting artist
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Still-Life with Dead Wild-Duck gfh
Oil on canvas, 71 x 87 cm National Gallery, Prague

     Painting ID::  5210
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Still-Life_with_Dead_Wild-Duck_gfh
Oil on canvas, 71 x 87 cm National Gallery, Prague

BOEL, Pieter Still-Life with Owl  gfh oil painting artist
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Still-Life with Owl gfh
Oil on canvas, 68 x 93 cm Museum voor Schone Kunsten, Ghent

     Painting ID::  5211
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Still-Life_with_Owl__gfh
Oil on canvas, 68 x 93 cm Museum voor Schone Kunsten, Ghent

BOEL, Pieter Large Vanitas Still-Life  gdh oil painting artist
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Large Vanitas Still-Life gdh
1663 Oil on canvas, 207 x 260 cm Mus??e des Beaux-Arts, Lille

     Painting ID::  5212
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Large_Vanitas_Still-Life__gdh
1663 Oil on canvas, 207 x 260 cm Mus??e des Beaux-Arts, Lille

BOEL, Pieter South America, large parrot oil painting artist
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South America, large parrot
mk255 for in the years 1669-1671. 0.98 x 1.30 meters canvas. Paris, the Louvre

     Painting ID::  57295
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  South_America,_large_parrot
mk255 for in the years 1669-1671. 0.98 x 1.30 meters canvas. Paris, the Louvre

BOEL, Pieter Large Vanitas oil painting artist
 Click Image to Enlarge
Large Vanitas
Date 1663(1663) Medium Oil on canvas Dimensions 207 x 260 cm cyf

     Painting ID::  76041
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Large_Vanitas
Date 1663(1663) Medium Oil on canvas Dimensions 207 x 260 cm cyf

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     BOEL,_Pieter
    Flemish Baroque Era Painter, 1622-1674 Flemish painter, draughtsman and etcher. He came from an artistic family: his father Jan Boel (1592-1640), was an engraver, publisher and art dealer; his uncle Quirin Boel I was an engraver; and his brother Quirin Boel II (1620-40) was also a printmaker. Pieter was probably apprenticed in Antwerp to Jan Fyt, but may have studied previously with Frans Snyders. He then went to Italy, probably visiting Rome and Genoa, where he is supposed to have stayed with Cornelis de Wael. None of Boel's work from this period is known. In 1650 he became a master in the Antwerp Guild of St Luke (having given his first name as Jan, not Pieter). His marriage to Maria Blanckaert took place at about the same time. Boel dated only a few of his paintings, making it difficult to establish a chronology. He is best known for his hunting scenes, some of which clearly show his debt to Snyders, but the dominant influence on his work was that of Fyt, particularly evident in his emphatic brushwork. However, Boel was more restrained both in his treatment and in his handling of outline. He also borrowed the theme of open-air hunting still-lifes (e.g. Feathered Game with Three Dogs; Madrid, Prado) from Fyt, but he painted other subjects as well, such as the monumental Vanitas Still-life (e.g. 1633; Lille, Mus. B.-A.).

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