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Domenico Beccafumi
c1486-1551
Domenico Beccafumi Gallery
Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumis works is signed or dated, but his highly personal maniera has facilitated almost unanimous agreement regarding the definition of his corpus and the principal areas of influence on it. However, some questions concerning the circumstances of his early career and the choices available to him remain unanswered. The more extreme forms of Beccafumis reckless experimentation underwent a critical reappraisal only in the later 20th century.
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Saint Michael
mk68
Oil on wood
Siena,Church of an Niccolo al Carmine
c.1524
Italy
Painting ID:: 30480
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Saint_Michael
mk68
Oil on wood
Siena,Church of an Niccolo al Carmine
c.1524
Italy
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The Mystic Marriage of St.Catherine
mk83
c.1528
oil on wood
345.5x255.5cm
Painting ID:: 33270
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The_Mystic_Marriage_of_St.Catherine
mk83
c.1528
oil on wood
345.5x255.5cm
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Marcia
mk170
1519-1520
Oil on wood
92.1x53.3cm
Painting ID:: 43007
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Marcia
mk170
1519-1520
Oil on wood
92.1x53.3cm
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Tanaquil
mk170
1519-1520
Oil on wood
92.1x53.3cm
Painting ID:: 43008
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Tanaquil
mk170
1519-1520
Oil on wood
92.1x53.3cm
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The Holy Family with Young Saint John around
1530
Oil on panel,
diameter 84 cm
Painting ID:: 52083
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The_Holy_Family_with_Young_Saint_John_around
1530
Oil on panel,
diameter 84 cm
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Domenico_Beccafumi
c1486-1551
Domenico Beccafumi Gallery
Italian painter, sculptor, draughtsman, printmaker and illuminator. He was one of the protagonists, perhaps even the most precocious, of Tuscan Mannerism, which he practised with a strong sense of his Sienese artistic background but at the same time with an awareness of contemporary developments in Florence and Rome. He responded to the new demand for feeling and fantasy while retaining the formal language of the early 16th century. None of Beccafumis works is signed or dated, but his highly personal maniera has facilitated almost unanimous agreement regarding the definition of his corpus and the principal areas of influence on it. However, some questions concerning the circumstances of his early career and the choices available to him remain unanswered. The more extreme forms of Beccafumis reckless experimentation underwent a critical reappraisal only in the later 20th century.
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ARTWORKS INDEX
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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