Oil Painting Artist::. James Ensor

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     James Ensor
    Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.

James Ensor Firworks (nn02) oil painting artist
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Firworks (nn02)
1887 Oil and encaustic on canvas,40 1/4 x 44 1/4'' Albright-Knox Art Gallery Buffalo New York George B and Jenny R Mathews Fund 1970

     Painting ID::  23152
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Firworks_(nn02)
1887 Oil and encaustic on canvas,40 1/4 x 44 1/4'' Albright-Knox Art Gallery Buffalo New York George B and Jenny R Mathews Fund 1970

James Ensor The Entry of Christ into Brussels in 1889  (nn02) oil painting artist
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The Entry of Christ into Brussels in 1889 (nn02)
1888 Oil on canvas 102 1/2 x 169 1/2'' The J.Paul Getty Museum,Malibu

     Painting ID::  23153
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Entry_of_Christ_into_Brussels_in_1889__(nn02)
1888 Oil on canvas 102 1/2 x 169 1/2'' The J.Paul Getty Museum,Malibu

James Ensor Skeletons Flghting for the Body of a Hanged Man (nn03) oil painting artist
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Skeletons Flghting for the Body of a Hanged Man (nn03)
1891 Oil on canvas 59 x 74 cm 23 1/4 x 29 1/8 in Koninklijk Museum Voor Schone Kunsten,Antwerp

     Painting ID::  23287
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Skeletons_Flghting_for_the_Body_of_a_Hanged_Man_(nn03)
1891 Oil on canvas 59 x 74 cm 23 1/4 x 29 1/8 in Koninklijk Museum Voor Schone Kunsten,Antwerp

James Ensor Self-Portrait with Masks oil painting artist
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Self-Portrait with Masks
mk52 1899 Oil on canvas 117x80cm Menard Art Museum,Komaki,Japan

     Painting ID::  27083
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Self-Portrait_with_Masks
mk52 1899 Oil on canvas 117x80cm Menard Art Museum,Komaki,Japan

James Ensor Self-Portrait oil painting artist
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Self-Portrait
mk67 Oil on canvas 16 1/2x13 3/8in Uffizi

     Painting ID::  30066
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Self-Portrait
mk67 Oil on canvas 16 1/2x13 3/8in Uffizi

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     James_Ensor
    Belgian 1860-1949 Belgian painter, printmaker and draughtsman. No single label adequately describes the visionary work produced by Ensor between 1880 and 1900, his most productive period. His pictures from that time have both Symbolist and Realist aspects, and in spite of his dismissal of the Impressionists as superficial daubers he was profoundly concerned with the effects of light. His imagery and technical procedures anticipated the colouristic brilliance and violent impact of Fauvism and German Expressionism and the psychological fantasies of Surrealism. Ensor most memorable and influential work was almost exclusively produced before 1900, but he was largely unrecognized before the 1920s in his own country. His work was highly influential in Germany, however: Emil Nolde visited him in 1911, and was influenced by his use of masks; Paul Klee mentions him admiringly in his diaries; Erich Heckel came to see him in the middle of the war and painted his portrait (1930; Cologne, Wallraf-Richartz-Mus.); Alfred Kubin owned several of his prints, while Marc Chagall and George Grosz also adapted certain elements from Ensor. All the artists of the Cobra group saw him as a master. He influenced many Belgian artists including Leon Spilliaert, Rik Wouters, Constant Permeke, Frits van den Berghe, Paul Delvaux and Pierre Alechinsky.

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