Oil Painting Artist::. Jacopo Pontormo

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     Jacopo Pontormo
    Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.

Jacopo Pontormo Punishment of the Baker oil painting artist
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Punishment of the Baker
National Gallery, London

     Painting ID::  1608
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Punishment_of_the_Baker
National Gallery, London

Jacopo Pontormo Joseph being Sold to Potiphar oil painting artist
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Joseph being Sold to Potiphar
National Gallery, London

     Painting ID::  1610
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Joseph_being_Sold_to_Potiphar
National Gallery, London

Jacopo Pontormo The Virgin and Child with Four Saints and the Good Thief with (mk05) oil painting artist
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The Virgin and Child with Four Saints and the Good Thief with (mk05)
Before 1529 Wood 90 x 69 1/4''(228 x 176 cm)Entered the Louvre in 1814

     Painting ID::  20146
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Virgin_and_Child_with_Four_Saints_and_the_Good_Thief_with_(mk05)
Before 1529 Wood 90 x 69 1/4''(228 x 176 cm)Entered the Louvre in 1814

Jacopo Pontormo The Visitation (nn03) oil painting artist
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The Visitation (nn03)
1530/32 Oil on panel 202 x 156 cm 79 1/2 x 61 1/2 in Pieve di San Michele Carmignano

     Painting ID::  23452
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Visitation_(nn03)
1530/32 Oil on panel 202 x 156 cm 79 1/2 x 61 1/2 in Pieve di San Michele Carmignano

Jacopo Pontormo Deposition oil painting artist
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Deposition
mk68 Oil on wood Florence Church of Santa Felicita c.1528 Italy

     Painting ID::  30485
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Deposition
mk68 Oil on wood Florence Church of Santa Felicita c.1528 Italy

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     Jacopo_Pontormo
    Italian 1494-1557 Jacopo Pontormo Galleries Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo, though he also drew on northern art, primarily the prints of Albrecht Derer.

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