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Geertgen Tot Sint Jans
Netherlandish Northern Renaissance Painter, ca.1460-1490
Geertgen tot Sint Jans is also known as Geertgen van Haarlem, Gerrit van Haarlem, or Gerrit Gerritsz.[citation needed] Alternative spellings of his first name are Gheertgen, Geerrit, and Gheerrit, where G(h)eertgen is the diminutive form of G(h)eerrit.
Presumably, he was born in Leiden, then in the Burgundian Netherlands in the Holy Roman Empire, around the year 1465. The assignment of Leiden as his birth place is traceable to a 17th century print by Jacob van Matham. There is no known archival evidence for this claim by Jacob van Matham. The modern acceptance of Leiden as Geertgen's birth place is roughly traceable to Johann Kessler's dissertation of 1930.
Probably, Geertgen was a pupil of Albert van Ouwater, who was one of the first oil painters in the northern Low Countries. Both painters lived in the city of Haarlem. Geertgen was attached to the monastery of the Knights of Saint John, for whom he painted an altarpiece. Although Geertgen was not a member of the Order of Saint John, his last name "tot Sint Jans" was derived from the order's name and means "unto Saint John".
Geertgen died in Haarlem, then the Habsburg Netherlands in the Holy Roman Empire, around the year 1495, when he was approximately 28 years old. He was buried in the monastery of the Knights of Saint John. Modern scholars have attempted to calculate the artist's death date with the information from The Painting-Book (Middle Dutch: Het Schilder-Boeck) by Karel van Mander, published in 1604. There are some archival traces that suggest he may in fact have lived into the 16th century.
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Nativity, at Night
1484-90
Oil on oak, 34 x 25 cm
Painting ID:: 32340
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Nativity,_at_Night
1484-90
Oil on oak, 34 x 25 cm
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St.john the Baptist in the Wilderness
mk86
c.1485-1490
Oil on wood
42x28cm
Painting ID:: 33438
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St.john_the_Baptist_in_the_Wilderness
mk86
c.1485-1490
Oil on wood
42x28cm
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The fate of the earthly remains of St Fohn the Baptist
mk150
after 1484
Oak
172x139cm
Painting ID:: 39641
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The_fate_of_the_earthly_remains_of_St_Fohn_the_Baptist
mk150
after 1484
Oak
172x139cm
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The natitity at night
mk170
1480-1490
Oil on oak
34x25.3cm
Painting ID:: 42848
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The_natitity_at_night
mk170
1480-1490
Oil on oak
34x25.3cm
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Geertgen painted The Lamentation of Christ for the altarpiece of the monastery of the Knights of Saint John in Haarlem
Geertgen painted The Lamentation of Christ for the altarpiece of the monastery of the Knights of Saint John in Haarlem
Painting ID:: 59014
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Geertgen_painted_The_Lamentation_of_Christ_for_the_altarpiece_of_the_monastery_of_the_Knights_of_Saint_John_in_Haarlem
Geertgen painted The Lamentation of Christ for the altarpiece of the monastery of the Knights of Saint John in Haarlem
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Geertgen_Tot_Sint_Jans
Netherlandish Northern Renaissance Painter, ca.1460-1490
Geertgen tot Sint Jans is also known as Geertgen van Haarlem, Gerrit van Haarlem, or Gerrit Gerritsz.[citation needed] Alternative spellings of his first name are Gheertgen, Geerrit, and Gheerrit, where G(h)eertgen is the diminutive form of G(h)eerrit.
Presumably, he was born in Leiden, then in the Burgundian Netherlands in the Holy Roman Empire, around the year 1465. The assignment of Leiden as his birth place is traceable to a 17th century print by Jacob van Matham. There is no known archival evidence for this claim by Jacob van Matham. The modern acceptance of Leiden as Geertgen's birth place is roughly traceable to Johann Kessler's dissertation of 1930.
Probably, Geertgen was a pupil of Albert van Ouwater, who was one of the first oil painters in the northern Low Countries. Both painters lived in the city of Haarlem. Geertgen was attached to the monastery of the Knights of Saint John, for whom he painted an altarpiece. Although Geertgen was not a member of the Order of Saint John, his last name "tot Sint Jans" was derived from the order's name and means "unto Saint John".
Geertgen died in Haarlem, then the Habsburg Netherlands in the Holy Roman Empire, around the year 1495, when he was approximately 28 years old. He was buried in the monastery of the Knights of Saint John. Modern scholars have attempted to calculate the artist's death date with the information from The Painting-Book (Middle Dutch: Het Schilder-Boeck) by Karel van Mander, published in 1604. There are some archival traces that suggest he may in fact have lived into the 16th century.
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