Oil Painting Artist::. Albrecht Altdorfer

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     Albrecht Altdorfer
    German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

Albrecht Altdorfer The Departure of Saint Florian oil painting artist
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The Departure of Saint Florian
1520 Galleria degli Uffizi, Florence

     Painting ID::  2291
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Departure_of_Saint_Florian
1520 Galleria degli Uffizi, Florence

Albrecht Altdorfer The Martyrdom of Saint Florian oil painting artist
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The Martyrdom of Saint Florian
1520 Galleria degli Uffizi, Florence

     Painting ID::  2292
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Martyrdom_of_Saint_Florian
1520 Galleria degli Uffizi, Florence

Albrecht Altdorfer The Birth of the Virgin oil painting artist
 Click Image to Enlarge
The Birth of the Virgin
1525 Pinakothek, Munich

     Painting ID::  2294
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Birth_of_the_Virgin
1525 Pinakothek, Munich

Albrecht Altdorfer The Battle of Alexander oil painting artist
 Click Image to Enlarge
The Battle of Alexander
1529 158.4 x 120.3 cm Pinakothek, Munich

     Painting ID::  2295
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Battle_of_Alexander
1529 158.4 x 120.3 cm Pinakothek, Munich

Albrecht Altdorfer Christ Taking Leave of His Mother oil painting artist
 Click Image to Enlarge
Christ Taking Leave of His Mother
1520

     Painting ID::  2296
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Christ_Taking_Leave_of_His_Mother
1520

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     Albrecht_Altdorfer
    German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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