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Jan Josef Horemans the Elder
1682-1759
Dutch
Jan Josef Horemans Galleries
He was a pupil of the sculptor Michiel van der Voort I and then of the Dutch painter Jan van Pee (before 1640-1710), who was active in Antwerp. Horemans joined the Guild of St Luke in 1706-7. He appears to have followed in the footsteps of the 17th-century Flemish genre painters, executing a few portraits and a large number of small anecdotal pictures that were highly prized on the market. In paintings such as the Village School and the Cobbler's Shop (both 1712; Vienna, Ksthist. Mus.), the Musical Company (1715; Brunswick, Herzog Anton Ulrich-Mus.) and the Card-players (Florence, Uffizi) he represented scenes from contemporary everyday life that combine observation with a certain degree of stiffness. Most of his paintings are signed. In 1746, together with his son Jan Josef Horemans II, he painted the Abbot of St Michel Visiting the Order of the Fencing Oath (Antwerp, Kon. Mus. S. Kst.).
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Catherine II of Russia in the mirror
ca. 1793(1793)
Medium Oil
cyf
Painting ID:: 78500
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Catherine_II_of_Russia_in_the_mirror
ca. 1793(1793)
Medium Oil
cyf
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Portrait of Maria Anna of Bavaria
1604(1604)
Medium Oil on canvas
cyf
Painting ID:: 78666
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Portrait_of_Maria_Anna_of_Bavaria
1604(1604)
Medium Oil on canvas
cyf
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Boys' school
oil on canvas, 40 x 35 cm
Date 18th century
cjr
Painting ID:: 87021
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Boys'_school
oil on canvas, 40 x 35 cm
Date 18th century
cjr
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Girls school
oil on canvas, 40 x 35 cm
Date 18th century
cyf
Painting ID:: 91745
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Girls_school
oil on canvas, 40 x 35 cm
Date 18th century
cyf
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Jan_Josef_Horemans_the_Elder
1682-1759
Dutch
Jan Josef Horemans Galleries
He was a pupil of the sculptor Michiel van der Voort I and then of the Dutch painter Jan van Pee (before 1640-1710), who was active in Antwerp. Horemans joined the Guild of St Luke in 1706-7. He appears to have followed in the footsteps of the 17th-century Flemish genre painters, executing a few portraits and a large number of small anecdotal pictures that were highly prized on the market. In paintings such as the Village School and the Cobbler's Shop (both 1712; Vienna, Ksthist. Mus.), the Musical Company (1715; Brunswick, Herzog Anton Ulrich-Mus.) and the Card-players (Florence, Uffizi) he represented scenes from contemporary everyday life that combine observation with a certain degree of stiffness. Most of his paintings are signed. In 1746, together with his son Jan Josef Horemans II, he painted the Abbot of St Michel Visiting the Order of the Fencing Oath (Antwerp, Kon. Mus. S. Kst.).
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