Oil Painting Artist::. Gerrit van Honthorst

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     Gerrit van Honthorst
    1590-1656 Dutch Gerrit Van Honthorst Galleries Gerard van Honthorst (November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes. The queen of Bohemia, sister of Charles I of England and electress palatine, being in exile in the Netherlands, gave Honthorst her countenance and asked him to teach her children drawing; and Honthorst, thus approved and courted, became known to her brother Charles I, who invited him to England in 1628. There he painted several portraits, and a vast allegory, now at Hampton Court, of Charles and his queen as Diana and Apollo in the clouds receiving the duke of Buckingham as Mercury and guardian of the king of Bohemia's children. Charles I, whose taste was flattered alike by the energy of Rubens and the elegance of Van Dyck, was thus first captivated by the fanciful mediocrity of Honthorst, who though a poor executant had luckily for himself caught, as Lord Arundel said, much of the manner of Caravaggio's colouring, then so much esteemed at Rome.

Gerrit van Honthorst Childhood of Christ oil painting artist
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Childhood of Christ
1620 The Hermitage, St.Petersburg

     Painting ID::  2441
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Childhood_of_Christ
1620 The Hermitage, St.Petersburg

Gerrit van Honthorst The Tooth Puller (mk05) oil painting artist
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The Tooth Puller (mk05)
1628 Canvas,51 1/4 x 73 1/4''(130 x 186 cm).Acquired in 1930

     Painting ID::  20356
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Tooth_Puller_(mk05)
1628 Canvas,51 1/4 x 73 1/4''(130 x 186 cm).Acquired in 1930

Gerrit van Honthorst The Concert (mk05) oil painting artist
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The Concert (mk05)
Canvas,66 1/4 x 70''(168 x 178 cm).An overmantel from the Palace of Nordeinde,The Hague.From the collection of the Stadhouder,The Hague,1795 INV

     Painting ID::  20358
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Concert_(mk05)
Canvas,66 1/4 x 70''(168 x 178 cm).An overmantel from the Palace of Nordeinde,The Hague.From the collection of the Stadhouder,The Hague,1795 INV

Gerrit van Honthorst Utrecht (mk05) oil painting artist
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Utrecht (mk05)
1590-1656 Christ in the Carpenter's Shop ca 1620 (Inv No 5276)Oil on canvas 54 x 73''(137 x 185 cm)(Ex coll.P.P Durnoi,Leningrad 1925)

     Painting ID::  20955
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Utrecht_(mk05)
1590-1656 Christ in the Carpenter's Shop ca 1620 (Inv No 5276)Oil on canvas 54 x 73''(137 x 185 cm)(Ex coll.P.P Durnoi,Leningrad 1925)

Gerrit van Honthorst The Incredulithy of St Thomas (mk08) oil painting artist
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The Incredulithy of St Thomas (mk08)
c.1620 Oil on canvas. 125x99cm Madrid,Museo del Prado

     Painting ID::  21721
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Incredulithy_of_St_Thomas_(mk08)
c.1620 Oil on canvas. 125x99cm Madrid,Museo del Prado

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     Gerrit_van_Honthorst
    1590-1656 Dutch Gerrit Van Honthorst Galleries Gerard van Honthorst (November 4, 1592 - April 27, 1656), also known as Gerrit van Honthorst and Gherardo della Notte, was a Dutch painter of Utrecht. He was brought up at the school of Abraham Bloemaert, who exchanged the style of the Franckens for that of the pseudo-Italians at the beginning of the 16th century. Margareta Maria de Roodere and Her Parents by Gerrit van Honthorst (1652) Oil on canvas, 140 x 170 cm. Centraal Museum, UtrechtInfected thus early with a mania which came to be very general in the Netherlands, Honthorst went to Italy in 1616, where he copied the naturalism and eccentricities of Michelangelo da Caravaggio. Home again about 1620, after acquiring a considerable practice in Rome, he set up a school at Utrecht which flourished exceedingly. Together with his colleague Hendrick ter Brugghen, he represented the so-called Dutch Caravaggisti. In 1623 he was president of his gild at Utrecht, where he had married his cousin. He soon became so fashionable that Sir Dudley Carleton, then English envoy at The Hague, recommended his works to the earl of Arundel and Lord Dorchester. In 1626 he received a visit from Rubens, whom he painted as the honest man sought for and found by Diogenes. The queen of Bohemia, sister of Charles I of England and electress palatine, being in exile in the Netherlands, gave Honthorst her countenance and asked him to teach her children drawing; and Honthorst, thus approved and courted, became known to her brother Charles I, who invited him to England in 1628. There he painted several portraits, and a vast allegory, now at Hampton Court, of Charles and his queen as Diana and Apollo in the clouds receiving the duke of Buckingham as Mercury and guardian of the king of Bohemia's children. Charles I, whose taste was flattered alike by the energy of Rubens and the elegance of Van Dyck, was thus first captivated by the fanciful mediocrity of Honthorst, who though a poor executant had luckily for himself caught, as Lord Arundel said, much of the manner of Caravaggio's colouring, then so much esteemed at Rome.

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