Oil Painting Artist::. CIMA da Conegliano

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     CIMA da Conegliano
    Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

CIMA da Conegliano The Madonna and Child with St John the Baptist and Mary Magdalen dfg oil painting artist
 Click Image to Enlarge
The Madonna and Child with St John the Baptist and Mary Magdalen dfg
1510-15 Wood, 167 x 110 cm Mus??e du Louvre, Paris

     Painting ID::  6032
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Madonna_and_Child_with_St_John_the_Baptist_and_Mary_Magdalen_dfg
1510-15 Wood, 167 x 110 cm Mus??e du Louvre, Paris

CIMA da Conegliano Madonna and Child dfhdt oil painting artist
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Madonna and Child dfhdt
c. 1504 Tempera on wood, 66 x 57 cm Galleria degli Uffizi, Florence

     Painting ID::  6033
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Madonna_and_Child_dfhdt
c. 1504 Tempera on wood, 66 x 57 cm Galleria degli Uffizi, Florence

CIMA da Conegliano The Presentation of the Virgin dfgf oil painting artist
 Click Image to Enlarge
The Presentation of the Virgin dfgf
Wood Gemäldegalerie, Dresden

     Painting ID::  6034
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Presentation_of_the_Virgin_dfgf
Wood Gemäldegalerie, Dresden

CIMA da Conegliano The Incredulity of St. Thomas with St. Magno Vescovo fg oil painting artist
 Click Image to Enlarge
The Incredulity of St. Thomas with St. Magno Vescovo fg
c. 1505 Tempera and oil on panel, 215 x 151 cm Gallerie dell'Accademia, Venice

     Painting ID::  6035
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Incredulity_of_St._Thomas_with_St._Magno_Vescovo_fg
c. 1505 Tempera and oil on panel, 215 x 151 cm Gallerie dell'Accademia, Venice

CIMA da Conegliano St Peter Martyr with St Nicholas of Bari, St Benedict and an Angel Musician dfg oil painting artist
 Click Image to Enlarge
St Peter Martyr with St Nicholas of Bari, St Benedict and an Angel Musician dfg
1504 Oil on panel, 330 x 216 cm Pinacoteca di Brera, Milan

     Painting ID::  6036
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  St_Peter_Martyr_with_St_Nicholas_of_Bari,_St_Benedict_and_an_Angel_Musician_dfg
1504 Oil on panel, 330 x 216 cm Pinacoteca di Brera, Milan

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     CIMA_da_Conegliano
    Italian Painter, ca.1459-1517 Italian painter. He belonged to the generation between Giovanni Bellini and Giorgione and was one of the leading painters of early Renaissance Venice. His major works, several of which are signed, are almost all church altarpieces, usually depicting the Virgin and Child enthroned with saints; he also produced a large number of smaller half-length Madonnas. His autograph paintings are executed with great sensitivity and consummate craftsmanship. Fundamental to his artistic formation was the style that Bellini had evolved by the 1470s and 1480s; other important influences were Antonello da Messina and Alvise Vivarini. Although Cima was always capable of modest innovation, his style did not undergo any radical alteration during a career of some 30 years, and his response to the growing taste for Giorgionesque works from the early 16th century remained superficial. He seems to have maintained a sizeable workshop,

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