Oil Painting Artist::. LASTMAN, Pieter Pietersz.

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     LASTMAN, Pieter Pietersz.
    Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.

LASTMAN, Pieter Pietersz. The Angel and Tobias with the Fish g oil painting artist
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The Angel and Tobias with the Fish g
c. 1625 Oil on wood, 34,3 x 59 cm Museum of Fine Arts, Budapest

     Painting ID::  7817
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Angel_and_Tobias_with_the_Fish_g
c. 1625 Oil on wood, 34,3 x 59 cm Museum of Fine Arts, Budapest

LASTMAN, Pieter Pietersz. The Angel and Tobias with the Fish (detail) f oil painting artist
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The Angel and Tobias with the Fish (detail) f
c. 1625 Oil on wood Museum of Fine Arts, Budapest

     Painting ID::  7818
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Angel_and_Tobias_with_the_Fish_(detail)_f
c. 1625 Oil on wood Museum of Fine Arts, Budapest

LASTMAN, Pieter Pietersz. The Sacrifice of Abraham (mk05) oil painting artist
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The Sacrifice of Abraham (mk05)
Wood,14 1/4 x 16 1/2''(36 x 42 cm).Acquired in 1895

     Painting ID::  20362
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Sacrifice_of_Abraham_(mk05)
Wood,14 1/4 x 16 1/2''(36 x 42 cm).Acquired in 1895

LASTMAN, Pieter Pietersz. Abraham on the Way to Canaan oil painting artist
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Abraham on the Way to Canaan
mk65 1614 Oil on canvas transferred from panel 28x48"

     Painting ID::  29104
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Abraham_on_the_Way_to_Canaan
mk65 1614 Oil on canvas transferred from panel 28x48"

LASTMAN, Pieter Pietersz. Detail of Abraham on the Way to Canaan oil painting artist
 Click Image to Enlarge
Detail of Abraham on the Way to Canaan
mk65 Details

     Painting ID::  29105
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Detail_of_Abraham_on_the_Way_to_Canaan
mk65 Details

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     LASTMAN,_Pieter_Pietersz.
    Dutch Baroque Era Painter, ca.1583-1633 Dutch painter and draughtsman. He was the son of the goldsmith Pieter Segersz. His older brother Seeger Pietersz. [Coninck] became a goldsmith like his father, while his younger brother Claes Lastman became an engraver and painter. Pieter trained as a painter under the Mannerist artist Gerrit Pietersz., brother of the composer Jan Pietersz. Sweelinck. In June 1602 Lastman travelled to Rome, like so many of his contemporaries. Van Mander, in his biography of Gerrit Pietersz., mentioned his pupil 'Pieter Lasman [sic] who shows great promise, being presently in Italy'. While there, Lastman made two drawings of an Oriental in a Landscape (both 1603; Amsterdam, Rijksmus.), which betray his continuing stylistic dependence on his master (as can also be seen in three drawings made before his trip to Italy). Related to the drawings made in Italy is a series of 12 prints after designs by Lastman of figures in Italian costumes (Hollstein, nos 11-22). Lastman also visited Venice, as is documented by a drawing (Cambridge, Fitzwilliam) after Veronese's Adoration of the Shepherds in the church of SS Giovanni e Paolo. Lastman was apparently in Italy until March 1607 but thereafter spent the rest of his life in Amsterdam.

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