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VELAZQUEZ, Diego Rodriguez de Silva y
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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The Adoration of the Magi et
1619
Oil on canvas, 203 x 125 cm
Museo del Prado, Madrid
Painting ID:: 9448
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The_Adoration_of_the_Magi_et
1619
Oil on canvas, 203 x 125 cm
Museo del Prado, Madrid
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Christ in the House of Mary and Marthe r
c. 1620
Oil on canvas, 60 x 103,5 cm
National Gallery, London
Painting ID:: 9449
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Christ_in_the_House_of_Mary_and_Marthe_r
c. 1620
Oil on canvas, 60 x 103,5 cm
National Gallery, London
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Abbess Jeronima de la Fuente ewt
1620
Oil on canvas, 160 x 110 cm
Museo del Prado, Madrid
Painting ID:: 9450
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Abbess_Jeronima_de_la_Fuente_ewt
1620
Oil on canvas, 160 x 110 cm
Museo del Prado, Madrid
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The Supper at Emmaus sg
c. 1620
Oil on canvas, 123.2 x 132.7 cm
Metropolitan Museum of Art, New York
Painting ID:: 9451
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The_Supper_at_Emmaus_sg
c. 1620
Oil on canvas, 123.2 x 132.7 cm
Metropolitan Museum of Art, New York
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The Waterseller of Seville
1623
Oil on canvas 106.7 x 81 cm
Wellington Museum, London
Painting ID:: 9452
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The_Waterseller_of_Seville
1623
Oil on canvas 106.7 x 81 cm
Wellington Museum, London
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VELAZQUEZ,_Diego_Rodriguez_de_Silva_y
Spanish Baroque Era Painter, 1599-1660
Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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