Oil Painting Artist::. WITZ, Konrad

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     WITZ, Konrad
    b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland. German painter. One of the great innovators in northern European painting, he turned away from the lyricism of the preceding generation of German painters. His sturdy, monumental figures give a strong impression of their physical presence, gestures are dignified and the colours strong and simple. Even scenes with several figures are strangely undramatic and static. The surface appearance of materials, especially metals and stone, is intensely observed and recorded with an almost naive precision. Powerful cast shadows help to define the spatial relationships between objects. His fresh approach to the natural world reflects that of the Netherlandish painters: the Master of Fl?malle and the van Eycks. He need not, however, have trained in the Netherlands or in Burgundy as knowledge of their style could have been gained in Basle. He remained, however, untouched by the anecdotal quality present in their art,

WITZ, Konrad King Solomon and the Queen of Sheba qr oil painting artist
 Click Image to Enlarge
King Solomon and the Queen of Sheba qr
1435 Panel, 84 x 79 cm Staatliche Museen, Berlin

     Painting ID::  9748
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  King_Solomon_and_the_Queen_of_Sheba_qr
1435 Panel, 84 x 79 cm Staatliche Museen, Berlin

WITZ, Konrad The Liberation of St Peter jgu oil painting artist
 Click Image to Enlarge
The Liberation of St Peter jgu
1443-44 Panel, 132 x 154 cm Mus??e d'Art et d'Histoire, Geneva

     Painting ID::  9749
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Liberation_of_St_Peter_jgu
1443-44 Panel, 132 x 154 cm Mus??e d'Art et d'Histoire, Geneva

WITZ, Konrad Adoration of the Magi  hfy oil painting artist
 Click Image to Enlarge
Adoration of the Magi hfy
1443-44 Panel, 132 x 151 cm Mus??e d'Art et d'Histoire, Geneva

     Painting ID::  9750
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Adoration_of_the_Magi__hfy
1443-44 Panel, 132 x 151 cm Mus??e d'Art et d'Histoire, Geneva

WITZ, Konrad Presentation of Cardinal de Mies to the Virgin r oil painting artist
 Click Image to Enlarge
Presentation of Cardinal de Mies to the Virgin r
1443-44 Panel, 132 x 154 cm Mus??e d'Art et d'Histoire, Geneva

     Painting ID::  9751
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Presentation_of_Cardinal_de_Mies_to_the_Virgin_r
1443-44 Panel, 132 x 154 cm Mus??e d'Art et d'Histoire, Geneva

WITZ, Konrad The Synagoge jrt oil painting artist
 Click Image to Enlarge
The Synagoge jrt
c. 1435 Wood, 86 x 80,5 cm Öffentliche Kunstsammlung, Basle

     Painting ID::  9752
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Synagoge_jrt
c. 1435 Wood, 86 x 80,5 cm Öffentliche Kunstsammlung, Basle

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     WITZ,_Konrad
    b. cca 1400, Rottweil, d. ca. 1445, Basel. German-born painter from Rottweil in Swabia, active in Switzerland. German painter. One of the great innovators in northern European painting, he turned away from the lyricism of the preceding generation of German painters. His sturdy, monumental figures give a strong impression of their physical presence, gestures are dignified and the colours strong and simple. Even scenes with several figures are strangely undramatic and static. The surface appearance of materials, especially metals and stone, is intensely observed and recorded with an almost naive precision. Powerful cast shadows help to define the spatial relationships between objects. His fresh approach to the natural world reflects that of the Netherlandish painters: the Master of Fl?malle and the van Eycks. He need not, however, have trained in the Netherlands or in Burgundy as knowledge of their style could have been gained in Basle. He remained, however, untouched by the anecdotal quality present in their art,

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