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Cano, Alonso
Spanish, 1601-67
Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,
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St James the Major (mk05)
Canvas,21 1/4 x 14 1/4''(54 x 36 cm).Acquired in 1977
Painting ID:: 20342
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St_James_the_Major_(mk05)
Canvas,21 1/4 x 14 1/4''(54 x 36 cm).Acquired in 1977
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St Isidore and the Miracle of the Well (mk08)
c.1646-1648
Oil on canvas,
216x149cm
Madrid,Museo del Prado
Painting ID:: 21633
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St_Isidore_and_the_Miracle_of_the_Well_(mk08)
c.1646-1648
Oil on canvas,
216x149cm
Madrid,Museo del Prado
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The Dead Christ Supported by an Angel
mk61
Oil on canvas
178x121cm
Painting ID:: 28051
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The_Dead_Christ_Supported_by_an_Angel
mk61
Oil on canvas
178x121cm
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The Miracle of the Well
mk60
Oil on canvas
216x149cm
Painting ID:: 28307
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The_Miracle_of__the_Well
mk60
Oil on canvas
216x149cm
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St.Fohn the Evangelist's Vision of the Heavenly Ferusale
mk84
London,canvas
83x45cm
Painting ID:: 32905
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St.Fohn_the_Evangelist's_Vision_of_the_Heavenly_Ferusale
mk84
London,canvas
83x45cm
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Cano,_Alonso
Spanish, 1601-67
Spanish painter, sculptor and architect. He was an artist of rare versatility in 17th-century Spain, although his architectural work was not extensive. While he is also known for his drawings, only about 60 of these are definitely attributable to him, despite the many extant sketches with the name 'Cano' carelessly added by later hands. Unlike most of his Spanish contemporaries, such as Zurbaren or Velezquez, whose artistic styles did not outlive them, Cano's artistic legacy is measured in part by the number of artists who trained in his workshop and went on to become important masters in their own right: the painters Pedro Atanasio Bocanegra, Juan de Sevilla (1643-95) and, more distantly, Jos Risueo, and the sculptors Pedro de Mena and Jos de Mora,
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