Oil Painting Artist::. Moran, Thomas

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     Moran, Thomas
    American Hudson River School Painter, 1837-1926 American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings

Moran, Thomas The Grand Canyon of the Yellowstone oil painting artist
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The Grand Canyon of the Yellowstone
1872 Oil on canvas.

     Painting ID::  19517
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Grand_Canyon_of_the_Yellowstone
1872 Oil on canvas.

Moran, Thomas Cliffs, Green River, Wyoming oil painting artist
 Click Image to Enlarge
Cliffs, Green River, Wyoming
1872 Watercolor on canvas Museum of Fine Arts, Boston.

     Painting ID::  19518
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Cliffs,_Green_River,_Wyoming
1872 Watercolor on canvas Museum of Fine Arts, Boston.

Moran, Thomas Cliffs of the Rio Virgin, South Utah oil painting artist
 Click Image to Enlarge
Cliffs of the Rio Virgin, South Utah
1873 Watercolor National Design Museum, New York.

     Painting ID::  19519
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Cliffs_of_the_Rio_Virgin,_South_Utah
1873 Watercolor National Design Museum, New York.

Moran, Thomas Green River Cliffs, Wyoming. oil painting artist
 Click Image to Enlarge
Green River Cliffs, Wyoming.
1881 Oil on canvas Private collection.

     Painting ID::  19520
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Green_River_Cliffs,_Wyoming.
1881 Oil on canvas Private collection.

Moran, Thomas Pass at Glencoe, Scotland oil painting artist
 Click Image to Enlarge
Pass at Glencoe, Scotland
1882 Gilcrease Museum, Tulsa, OK.

     Painting ID::  19521
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Pass_at_Glencoe,_Scotland
1882 Gilcrease Museum, Tulsa, OK.

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     Moran,_Thomas
    American Hudson River School Painter, 1837-1926 American painter and printmaker of English birth. His brothers Edward (1829-1901), John ( 1831-1902) and Peter (1841-1914) were also active as artists. His family emigrated from England and in 1844 settled in Philadelphia where Moran began his career as an illustrator. He was guided by his brother Edward, an associate of the marine painter James Hamilton, whose successful career afforded an example for Moran. Between the ages of 16 and 19 Moran was apprenticed to the Philadelphia wood-engraving firm Scattergood & Telfer; he then began to paint more seriously in watercolour and expanded his work as an illustrator. In the 1860s he produced lithographs of the landscapes around the Great Lakes. While in London in 1862 (the first of many trips to England), he was introduced to the work of J. M. W. Turner, which remained a vital influence on him throughout his career. Moran owned a set of the Liber studiorum and was particularly impressed by Turner's colour and sublime conception of landscape. With his wife, Mary Nimmo Moran (1842-99), an etcher and landscape painter, he participated in the Etching Revival, scraping fresh and romantic landscapes and reproductive etchings

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