Oil Painting Artist::. Frits Thaulow

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     Frits Thaulow
    Norwegian Impressionist Painter, 1847-1906 .Norwegian painter and engraver. Originally wanting to become a marine painter he studied at the art academy in Copenhagen (1870-73) as well as with the Danish marine specialist C. F. S?rensen (1818-79). He spent two winters at Karlsruhe (1873-4, 1874-5) as the pupil of Hans Gude and then went to Paris, where he spent much of the period 1875-9. His marines and coastal pictures, some of which were accepted at the Paris Salon, were only moderately successful, but he acquired a fair knowledge of contemporary French Realist art and felt that Norwegian artists should learn from it.

Frits Thaulow soren thys hus, skagen oil painting artist
 Click Image to Enlarge
soren thys hus, skagen
se

     Painting ID::  64554
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  soren_thys_hus,_skagen
se

Frits Thaulow fisk soren thys hus oil painting artist
 Click Image to Enlarge
fisk soren thys hus
skagen. 1879 se

     Painting ID::  64590
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  fisk_soren_thys_hus
skagen. 1879 se

Frits Thaulow Fra Dieppe med elven Arques oil painting artist
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Fra Dieppe med elven Arques
1895. Oil painting. cjr

     Painting ID::  96061
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Fra_Dieppe_med_elven_Arques
1895. Oil painting. cjr

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     Frits_Thaulow
    Norwegian Impressionist Painter, 1847-1906 .Norwegian painter and engraver. Originally wanting to become a marine painter he studied at the art academy in Copenhagen (1870-73) as well as with the Danish marine specialist C. F. S?rensen (1818-79). He spent two winters at Karlsruhe (1873-4, 1874-5) as the pupil of Hans Gude and then went to Paris, where he spent much of the period 1875-9. His marines and coastal pictures, some of which were accepted at the Paris Salon, were only moderately successful, but he acquired a fair knowledge of contemporary French Realist art and felt that Norwegian artists should learn from it.

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