Oil Painting Artist::. George Richmond

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     George Richmond
    English Painter, 1809-1896 Painter, draughtsman and engraver. He was a precocious draughtsman. In 1824 he entered the Royal Academy, London, the same year as Edward Calvert, who was a part-time student of Joseph Severn. Richmond first exhibited at the Academy in 1825 and that year met William Blake in the Highgate house of John Linnell (ii). Like his lifelong friend Samuel Palmer, Richmond fell under Blake's spell, comparing him to the Prophet Isaiah and forming close friendships with Blake's other disciples, including Calvert. He visited Palmer at Shoreham, chiefly in the summer of 1827, and both he and Calvert became prominent members of Palmer's band of ANCIENTS, who frequented the Kent village in the late 1820s and early 1830s. The tempera panel Abel the Shepherd (1826; London, Tate) is typical of Richmond's early paintings, which reflect the pronounced influence of both Blake and Palmer. They are painted in an archaic style and include Christian and literary themes and high-minded if obscure genre subjects such as the Eve of Separation (1830; Oxford, Ashmolean). The human figure was central to these pictures as it was not for Palmer, who expressed sentiment through landscape motifs. Richmond was also active as a draughtsman and miniaturist during this period; his Christ-like head of Palmer, in watercolour and gouache on vellum (London, N.P.G.), dates from 1829.

George Richmond Lord Salisbury oil painting artist
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Lord Salisbury
1870-2 Oil on canvas 236.2 x 144.8cm (93 x 57in) Hatfield House,Hertfordshire (mk63)

     Painting ID::  28189
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Lord_Salisbury
1870-2 Oil on canvas 236.2 x 144.8cm (93 x 57in) Hatfield House,Hertfordshire (mk63)

George Richmond Maharani Chund Kowr alias Rani Jindan oil painting artist
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Maharani Chund Kowr alias Rani Jindan
mk153 Oil on panel 45.1x61.3cm

     Painting ID::  39836
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Maharani_Chund_Kowr_alias_Rani_Jindan
mk153 Oil on panel 45.1x61.3cm

George Richmond Portrait of Octavius Wigram oil painting artist
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Portrait of Octavius Wigram
Portrait of Octavius Wigram (1794-1878) ca. 1861 cjr

     Painting ID::  74164
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Octavius_Wigram
Portrait of Octavius Wigram (1794-1878) ca. 1861 cjr

George Richmond Portrait of Octavius Wigram oil painting artist
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Portrait of Octavius Wigram
ca. 1861 Source 19th century oil painting cyf

     Painting ID::  75589
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Octavius_Wigram
ca. 1861 Source 19th century oil painting cyf

George Richmond Euphemia oil painting artist
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Euphemia
1851(1851) Medium Oil on board Dimensions 81 x 53 cm (31.9 x 20.9 in) cyf

     Painting ID::  81611
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Euphemia
1851(1851) Medium Oil on board Dimensions 81 x 53 cm (31.9 x 20.9 in) cyf

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     George_Richmond
    English Painter, 1809-1896 Painter, draughtsman and engraver. He was a precocious draughtsman. In 1824 he entered the Royal Academy, London, the same year as Edward Calvert, who was a part-time student of Joseph Severn. Richmond first exhibited at the Academy in 1825 and that year met William Blake in the Highgate house of John Linnell (ii). Like his lifelong friend Samuel Palmer, Richmond fell under Blake's spell, comparing him to the Prophet Isaiah and forming close friendships with Blake's other disciples, including Calvert. He visited Palmer at Shoreham, chiefly in the summer of 1827, and both he and Calvert became prominent members of Palmer's band of ANCIENTS, who frequented the Kent village in the late 1820s and early 1830s. The tempera panel Abel the Shepherd (1826; London, Tate) is typical of Richmond's early paintings, which reflect the pronounced influence of both Blake and Palmer. They are painted in an archaic style and include Christian and literary themes and high-minded if obscure genre subjects such as the Eve of Separation (1830; Oxford, Ashmolean). The human figure was central to these pictures as it was not for Palmer, who expressed sentiment through landscape motifs. Richmond was also active as a draughtsman and miniaturist during this period; his Christ-like head of Palmer, in watercolour and gouache on vellum (London, N.P.G.), dates from 1829.

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