Oil Painting Artist::. Canaletto

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     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

Canaletto Rio dei Mendicanti (detail) s oil painting artist
 Click Image to Enlarge
Rio dei Mendicanti (detail) s
1723-24 Oil on canvas Museo del Settecento Veneziano, Ca' Rezzonico, Venice

     Painting ID::  5561
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Rio_dei_Mendicanti_(detail)_s
1723-24 Oil on canvas Museo del Settecento Veneziano, Ca' Rezzonico, Venice

Canaletto The Rio dei Mendicanti (detail) oil painting artist
 Click Image to Enlarge
The Rio dei Mendicanti (detail)
1723-24 Oil on canvas Museo del Settecento Veneziano, Ca' Rezzonico, Venice

     Painting ID::  5562
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Rio_dei_Mendicanti_(detail)
1723-24 Oil on canvas Museo del Settecento Veneziano, Ca' Rezzonico, Venice

Canaletto Grand Canal, Looking Northeast from Palazo Balbi toward the Rialto Bridge oil painting artist
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Grand Canal, Looking Northeast from Palazo Balbi toward the Rialto Bridge
1723-24 Oil on canvas, 144 x 207 cm Museo del Settecento Veneziano, Ca' Rezzonico, Venice

     Painting ID::  5563
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Grand_Canal,_Looking_Northeast_from_Palazo_Balbi_toward_the_Rialto_Bridge
1723-24 Oil on canvas, 144 x 207 cm Museo del Settecento Veneziano, Ca' Rezzonico, Venice

Canaletto Grand Canal, Looking East from the Campo San Vio oil painting artist
 Click Image to Enlarge
Grand Canal, Looking East from the Campo San Vio
1723-24 Oil on canvas, 140,5 x 204,5 cm Thyssen Bornemisza Collection, Madrid

     Painting ID::  5564
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Grand_Canal,_Looking_East_from_the_Campo_San_Vio
1723-24 Oil on canvas, 140,5 x 204,5 cm Thyssen Bornemisza Collection, Madrid

Canaletto Grand Canal, Looking East from the Campo San Vio (detail) fd oil painting artist
 Click Image to Enlarge
Grand Canal, Looking East from the Campo San Vio (detail) fd
1723-24 Oil on canvas Thyssen Bornemisza Collection, Madrid

     Painting ID::  5565
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Grand_Canal,_Looking_East_from_the_Campo_San_Vio_(detail)_fd
1723-24 Oil on canvas Thyssen Bornemisza Collection, Madrid

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     Canaletto
    Italian Rococo Era Painter, 1697-1768 Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings.

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