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Jan Van Eyck
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
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The Ghent Altar
The Annunciation
Virgin.
Painting ID:: 10071
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The_Ghent_Altar
The Annunciation
Virgin.
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The Ghent Altar
Donors and Saints.
Painting ID:: 10072
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The_Ghent_Altar
Donors and Saints.
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The Ghent Altar e5
Donors and Saints.
Painting ID:: 10073
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The_Ghent_Altar_e5
Donors and Saints.
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Adam and Eve
1432Oil on wood
St. Bavon,
Ghent, Belgium.
Painting ID:: 10074
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Adam_and_Eve
1432Oil on wood
St. Bavon,
Ghent, Belgium.
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The Virgin of Chancellor Rolin (mk05)
Wood 26 x 24 1/2''(66 x 62 cm)Painted for Nicolas Rolin (1376 - 1462) From the Collegiate Church of Notre-Dame in Autun entered the Louvre in 1800
Painting ID:: 19995
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The_Virgin_of_Chancellor_Rolin_(mk05)
Wood 26 x 24 1/2''(66 x 62 cm)Painted for Nicolas Rolin (1376 - 1462) From the Collegiate Church of Notre-Dame in Autun entered the Louvre in 1800
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Jan_Van_Eyck
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
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