Oil Painting Artist::. DYCK, Sir Anthony Van

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     DYCK, Sir Anthony Van
    Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;

DYCK, Sir Anthony Van Portrait of Philadelphia and Elisabeth Cary fg oil painting artist
 Click Image to Enlarge
Portrait of Philadelphia and Elisabeth Cary fg
1635-38 Oil on canvas, 162 x 130 cm The Hermitage, St. Petersburg

     Painting ID::  6525
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Philadelphia_and_Elisabeth_Cary_fg
1635-38 Oil on canvas, 162 x 130 cm The Hermitage, St. Petersburg

DYCK, Sir Anthony Van Charles I of England and Henrietta of France dfg oil painting artist
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Charles I of England and Henrietta of France dfg
Oil on canvas Galleria Palatina (Palazzo Pitti), Florence

     Painting ID::  6526
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Charles_I_of_England_and_Henrietta_of_France_dfg
Oil on canvas Galleria Palatina (Palazzo Pitti), Florence

DYCK, Sir Anthony Van Portrait of a Married Couple dfh oil painting artist
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Portrait of a Married Couple dfh
Oil on canvas, 112 x 131 cm Museum of Fine Arts, Budapest

     Painting ID::  6527
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Married_Couple_dfh
Oil on canvas, 112 x 131 cm Museum of Fine Arts, Budapest

DYCK, Sir Anthony Van The Wife and Daughter of Colyn de Nole fg oil painting artist
 Click Image to Enlarge
The Wife and Daughter of Colyn de Nole fg
Oil on wood, 123 x 90,5 cm Alte Pinakothek, Munich

     Painting ID::  6528
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Wife_and_Daughter_of_Colyn_de_Nole_fg
Oil on wood, 123 x 90,5 cm Alte Pinakothek, Munich

DYCK, Sir Anthony Van Sir Endymion Porter and the Artist dfh oil painting artist
 Click Image to Enlarge
Sir Endymion Porter and the Artist dfh
1632-41 Oil on canvas, 110 x 114 cm Museo del Prado, Madrid

     Painting ID::  6529
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Sir_Endymion_Porter_and_the_Artist_dfh
1632-41 Oil on canvas, 110 x 114 cm Museo del Prado, Madrid

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     DYCK,_Sir_Anthony_Van
    Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;

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