Oil Painting Artist::. GIOTTO di Bondone

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     GIOTTO di Bondone
    Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

GIOTTO di Bondone Tondo with Angel sh oil painting artist
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Tondo with Angel sh
c. 1310 Mosaic, diameter 65,5 cm S. Pietro Ispano, Boville Ernica, Rome

     Painting ID::  6905
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Tondo_with_Angel_sh
c. 1310 Mosaic, diameter 65,5 cm S. Pietro Ispano, Boville Ernica, Rome

GIOTTO di Bondone Anna and Joachim Meet at the Golden Gate (mk08) oil painting artist
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Anna and Joachim Meet at the Golden Gate (mk08)
1303-1305 Fresco.c.185x200cm Padua,Arena Chapel

     Painting ID::  21150
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Anna_and_Joachim_Meet_at_the_Golden_Gate_(mk08)
1303-1305 Fresco.c.185x200cm Padua,Arena Chapel

GIOTTO di Bondone The Lamentation of Christ (mk08) oil painting artist
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The Lamentation of Christ (mk08)
1303-1305 Fresco.c.185x200cm Padua,Arena Chapel

     Painting ID::  21151
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Lamentation_of_Christ_(mk08)
1303-1305 Fresco.c.185x200cm Padua,Arena Chapel

GIOTTO di Bondone St Francis Giving his Cloak to a Poor Man (mk08) oil painting artist
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St Francis Giving his Cloak to a Poor Man (mk08)
Fresco. 270x230cm Assisi, San Francesco. Upper Church

     Painting ID::  21152
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  St_Francis_Giving_his_Cloak_to_a_Poor_Man_(mk08)
Fresco. 270x230cm Assisi, San Francesco. Upper Church

GIOTTO di Bondone Enthroned Madonna with Saints (mk08) oil painting artist
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Enthroned Madonna with Saints (mk08)
c.1305-1310 Tempera on wood, 325x204cm Florence Galleria degli Uffizi

     Painting ID::  21148
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Enthroned_Madonna_with_Saints_(mk08)
c.1305-1310 Tempera on wood, 325x204cm Florence Galleria degli Uffizi

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     GIOTTO_di_Bondone
    Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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