Oil Painting Artist::. Pietro Antonio Rotari

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     Pietro Antonio Rotari
    Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg) Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden

Pietro Antonio Rotari Portrait of King Augustus III of Poland oil painting artist
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Portrait of King Augustus III of Poland
1755(1755) Oil on canvas 108 ?? 86 cm (42.5 ?? 33.9 in) cjr

     Painting ID::  77921
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_King_Augustus_III_of_Poland
1755(1755) Oil on canvas 108 ?? 86 cm (42.5 ?? 33.9 in) cjr

Pietro Antonio Rotari Portrait of Grand Duchess Yekaterina Alexeyevna oil painting artist
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Portrait of Grand Duchess Yekaterina Alexeyevna
1761 (?) Medium Oil on canvas Dimensions 60 x 48 cm (23.6 x 18.9 in) cyf

     Painting ID::  78273
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Grand_Duchess_Yekaterina_Alexeyevna
1761 (?) Medium Oil on canvas Dimensions 60 x 48 cm (23.6 x 18.9 in) cyf

Pietro Antonio Rotari Portrait of Marie Kunigunde of Saxony (1740-1826), Abbess of Thorn and Essen, daughter of Augustus III of Poland oil painting artist
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Portrait of Marie Kunigunde of Saxony (1740-1826), Abbess of Thorn and Essen, daughter of Augustus III of Poland
ca. 1755(1755) Oil on canvas cjr

     Painting ID::  79040
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Marie_Kunigunde_of_Saxony_(1740-1826),_Abbess_of_Thorn_and_Essen,_daughter_of_Augustus_III_of_Poland
ca. 1755(1755) Oil on canvas cjr

Pietro Antonio Rotari Maria Antonia of Bavaria oil painting artist
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Maria Antonia of Bavaria
1755(1755) Medium Oil on canvas Dimensions 107 x 86 cm (42.1 x 33.9 in) cyf

     Painting ID::  80251
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Maria_Antonia_of_Bavaria
1755(1755) Medium Oil on canvas Dimensions 107 x 86 cm (42.1 x 33.9 in) cyf

Pietro Antonio Rotari Portrait of a Young Girl oil painting artist
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Portrait of a Young Girl
18th century Medium Oil on canvas Dimensions ? x cm cyf

     Painting ID::  80864
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_a_Young_Girl
18th century Medium Oil on canvas Dimensions ? x cm cyf

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     Pietro_Antonio_Rotari
    Italian painter , (b. 1707, Verona, d. 1762, St. Petersburg) Italian painter. His artistic career began as a youthful distraction, but his talent quickly became apparent, and he entered the studio of Antonio Balestra in Verona, remaining there until he was 18. He spent the years 1725-7 in Venice and then moved c. 1728 to Rome, where he stayed for four years as a student of Francesco Trevisani. Between 1731 and 1734 he studied with Francesco Solimena in Naples before returning to Verona, where he set up his own studio and school. His most notable early independent works are multi-figured altarpieces (e.g. the Four Martyrs, 1745; Verona, church of the Ospedale di S Giacomo), which emulate 17th-century Roman and Neapolitan works. However, he also studied the smaller, more intimate paintings of Roman Baroque artists, and these influenced his later works. He fell victim to the wanderlust that appears to have been endemic to 18th-century Venetian painters, and c. 1751 he travelled to Vienna, where he was able to study works by Jean-Etienne Liotard, whose clean pictorial smoothness impressed him. He later moved to Dresden

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