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EYCK, Jan van
Flemish Northern Renaissance Painter, ca.1395-1441
Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.
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The Virgin of Chancellor Rolin dfg
1435
Wood, 66 x 62 cm
Mus??e du Louvre, Paris
Painting ID:: 6597
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The_Virgin_of_Chancellor_Rolin_dfg
1435
Wood, 66 x 62 cm
Mus??e du Louvre, Paris
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The Virgin of Chancellor Rolin (detail) dfg
1435
Oil on wood
Mus??e du Louvre, Paris
Painting ID:: 6598
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The_Virgin_of_Chancellor_Rolin_(detail)_dfg
1435
Oil on wood
Mus??e du Louvre, Paris
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The Virgin of Chancellor Rolin (detail) ds
1435
Oil on wood
Mus??e du Louvre, Paris
Painting ID:: 6599
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The_Virgin_of_Chancellor_Rolin_(detail)_ds
1435
Oil on wood
Mus??e du Louvre, Paris
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The Virgin of Chancellor Rolin (detail) dsgs
1435
Oil on wood
Mus??e du Louvre, Paris
Painting ID:: 6600
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The_Virgin_of_Chancellor_Rolin_(detail)_dsgs
1435
Oil on wood
Mus??e du Louvre, Paris
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Portrait of a Man with Carnation re
c. 1435
Oil on wood, 40 x 31 cm
Staatliche Museen, Berlin
Painting ID:: 6601
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Portrait_of_a_Man_with_Carnation_re
c. 1435
Oil on wood, 40 x 31 cm
Staatliche Museen, Berlin
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EYCK,_Jan_van
Flemish Northern Renaissance Painter, ca.1395-1441
Painter and illuminator, brother of Hubert van Eyck. According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d'Heere, Jan trained with his brother Hubert. Pietro Summonte's assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan's works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of 'Master', working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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