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Gerard David
b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish Gerard David Locations
Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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The Adoration of the Magi
mk67
Tempera on panel
37 3/8x31 1/2in
Uffizi,Gallery
Painting ID:: 29823
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The_Adoration_of_the_Magi
mk67
Tempera on panel
37 3/8x31 1/2in
Uffizi,Gallery
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The Virgin with the Bowl of Milk
mk68
Oil on oak
Brussels
Museums of Fine Arts
C.1520
Painting ID:: 30478
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The_Virgin_with_the_Bowl_of_Milk
mk68
Oil on oak
Brussels
Museums of Fine Arts
C.1520
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Les Noces de Cana
mk70
Bois
H.1.00
L.1.28
Paris,Musee du Louvre
Painting ID:: 31012
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Les_Noces_de_Cana
mk70
Bois
H.1.00
L.1.28
Paris,Musee du Louvre
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The deposition
mk76
Painted between c.1510 and 1515
Oil on canves
56 1/8x44 1/4in
Painting ID:: 31733
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The_deposition
mk76
Painted between c.1510 and 1515
Oil on canves
56 1/8x44 1/4in
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The Mystic Marriage of St Catherine
mk86
c.1505-1510
Oil tempera on wood
106x144cm
London,National Gallery
Painting ID:: 33531
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The_Mystic_Marriage_of_St_Catherine
mk86
c.1505-1510
Oil tempera on wood
106x144cm
London,National Gallery
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Gerard_David
b.c. 1460, Oudewater, Neth.
d.Aug. 13, 1523, Bruges
Flemish Gerard David Locations
Netherlandish painter. He is known as the last of the Flemish Primitives. Although born in the northern Netherlands, he moved to Bruges as a young man, and most of his work expresses the impassive, unmannered, microscopically realistic approach peculiar to south Netherlandish art in the time of Jan van Eyck. David was skilled at synthesizing the art of several important south Netherlandish predecessors, adapting, for instance, the compositions of van Eyck and the technique of Hugo van der Goes. He was also influenced by Hans Memling, whose example led him to refine and polish his cruder northern Netherlandish style and to adopt the popular theme of the Virgin and Child enthroned.
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ARTWORKS INDEX
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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