Oil Painting Artist::. DYCK, Sir Anthony Van

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     DYCK, Sir Anthony Van
    Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;

DYCK, Sir Anthony Van Porrtrait of the Sculptor Duquesnoy  fgh oil painting artist
 Click Image to Enlarge
Porrtrait of the Sculptor Duquesnoy fgh
1627-29 Oil on canvas, 77,5 x 61 cm Mus??es Royaux des Beaux-Arts, Brussels

     Painting ID::  6530
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Porrtrait_of_the_Sculptor_Duquesnoy__fgh
1627-29 Oil on canvas, 77,5 x 61 cm Mus??es Royaux des Beaux-Arts, Brussels

DYCK, Sir Anthony Van Portrait of Father Jean-Charles della Faille, S.J. dfh oil painting artist
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Portrait of Father Jean-Charles della Faille, S.J. dfh
1629 Oil on canvas, 130,8 x 118,5 cm Mus??es Royaux des Beaux-Arts, Brussels

     Painting ID::  6531
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Father_Jean-Charles_della_Faille,_S.J._dfh
1629 Oil on canvas, 130,8 x 118,5 cm Mus??es Royaux des Beaux-Arts, Brussels

DYCK, Sir Anthony Van Family Portrait hhte oil painting artist
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Family Portrait hhte
1618-20 Oil on canvas, 113,5 x 93,5 cm The Hermitage, St. Petersburg

     Painting ID::  6532
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Family_Portrait_hhte
1618-20 Oil on canvas, 113,5 x 93,5 cm The Hermitage, St. Petersburg

DYCK, Sir Anthony Van Thomas Killigrew and William, Lord Croft fgjh oil painting artist
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Thomas Killigrew and William, Lord Croft fgjh
1638 Oil on canvas, 132,7 x 143,5 cm Royal Collection, Windsor

     Painting ID::  6533
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Thomas_Killigrew_and_William,_Lord_Croft_fgjh
1638 Oil on canvas, 132,7 x 143,5 cm Royal Collection, Windsor

DYCK, Sir Anthony Van Portrait of the Artist Marten Pepijn dfg oil painting artist
 Click Image to Enlarge
Portrait of the Artist Marten Pepijn dfg
Oil on panel, 72 x 56 cm Koninklijk Museum voor Schone Kunsten, Antwerp

     Painting ID::  6534
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_the_Artist_Marten_Pepijn_dfg
Oil on panel, 72 x 56 cm Koninklijk Museum voor Schone Kunsten, Antwerp

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     DYCK,_Sir_Anthony_Van
    Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;

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