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PARMIGIANINO
Italian Mannerist Painter, 1503-1540
Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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The Conversion of St Paul
nn07
Oil on canvas, 177,5 x 128,5 cm
Kunsthistorisches Museum, Vienna
Painting ID:: 31365
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The_Conversion_of_St_Paul
nn07
Oil on canvas, 177,5 x 128,5 cm
Kunsthistorisches Museum, Vienna
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The Vision of St Jerome
1527
Oil on wood, 343 x 149 cm
Painting ID:: 32457
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The_Vision_of_St_Jerome
1527
Oil on wood, 343 x 149 cm
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Recreation by our Gallery
mk79
1535-1537
Painting ID:: 32594
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Recreation_by_our_Gallery
mk79
1535-1537
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Madonna of the Long Neck
mk86
c.1534-1540
Oil on wood
216x132cm
Florence,Galleria degli Uffizi
Painting ID:: 33497
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Madonna_of_the_Long_Neck
mk86
c.1534-1540
Oil on wood
216x132cm
Florence,Galleria degli Uffizi
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The Entombment
mk91
ca.1523
Oil on canvas
transferred from a panel
32x26.5
Painting ID:: 34264
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The_Entombment
mk91
ca.1523
Oil on canvas
transferred from a panel
32x26.5
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PARMIGIANINO
Italian Mannerist Painter, 1503-1540
Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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