Oil Painting Artist::. Corot Camille

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     Corot Camille
    French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers

Corot Camille Manana in Venice oil painting artist
 Click Image to Enlarge
Manana in Venice
mk131 1834 It painted during the second trip to ltalia, Corot Amuses the azure light.

     Painting ID::  38100
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Manana_in_Venice
mk131 1834 It painted during the second trip to ltalia, Corot Amuses the azure light.

Corot Camille The walk of Poussin Campina of Rome oil painting artist
 Click Image to Enlarge
The walk of Poussin Campina of Rome
mk131 1826-1828 outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture

     Painting ID::  38101
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_walk_of_Poussin_Campina_of_Rome
mk131 1826-1828 outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture

Corot Camille Ischa since the slopes of the mount Epomeo oil painting artist
 Click Image to Enlarge
Ischa since the slopes of the mount Epomeo
mk131 1828 Two pochadeso outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture

     Painting ID::  38102
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Ischa_since_the_slopes_of_the_mount_Epomeo
mk131 1828 Two pochadeso outlines rapidos of the natural one that show the liberty of corot when itself is not faced to a formal picture

Corot Camille Florence Since the Gardens of Boboli oil painting artist
 Click Image to Enlarge
Florence Since the Gardens of Boboli
mk131 1835-1840 The two arboles in first I finish they initiate a sequence of vertical references that contnuan al fund in the campanle

     Painting ID::  38103
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Florence_Since_the_Gardens_of_Boboli
mk131 1835-1840 The two arboles in first I finish they initiate a sequence of vertical references that contnuan al fund in the campanle

Corot Camille Volterra oil painting artist
 Click Image to Enlarge
Volterra
mk131 1834 The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different

     Painting ID::  38104
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Volterra
mk131 1834 The Contraposicion of the solid wooded one and the city, as emerging after the, gives rise to two processing pictoricos different

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     Corot_Camille
    French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers

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