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Caspar David Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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Chalk Cliffs on Rugen (mk09)
1818
Oil on canvas,90 x 70 cm
Winterthur,Stiftung Oskar Reinhart
Painting ID:: 21395
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Chalk_Cliffs_on_Rugen_(mk09)
1818
Oil on canvas,90 x 70 cm
Winterthur,Stiftung Oskar Reinhart
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Cross in the Mountains (mk10)
1812
Oil on canvas 44.5 x 37.4 cm
Dusseldorf,Kunstmuseum
Painting ID:: 21734
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Cross_in_the_Mountains_(mk10)
1812
Oil on canvas 44.5 x 37.4 cm
Dusseldorf,Kunstmuseum
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On the Saiboat (mk10)
1819
Oil on canvas
71 x 56 cm
St Petersburg,Hemitage
Painting ID:: 21743
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On_the_Saiboat_(mk10)
1819
Oil on canvas
71 x 56 cm
St Petersburg,Hemitage
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Detail The Sea of lce (mk10)
1824
Oil on canvas
96.7 x 126.9 cm
Hamburg Kunsthalle
Painting ID:: 21744
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Detail_The_Sea_of_lce_(mk10)
1824
Oil on canvas
96.7 x 126.9 cm
Hamburg Kunsthalle
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Detail The Sea of lce (mk10)
1824
Oil on canvas
96.7 x 126.9 cm
Hamburg Kunsthalle
Painting ID:: 21746
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Detail_The_Sea_of_lce_(mk10)
1824
Oil on canvas
96.7 x 126.9 cm
Hamburg Kunsthalle
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Caspar_David_Friedrich
1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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