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Camille Pissaro
1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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Orchard in Bloom at Louveciennes
1872 17 3/4" x 21 5/8"
National Gallery of Art, Washington DC
Painting ID:: 4339
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Orchard_in_Bloom_at_Louveciennes
1872 17 3/4" x 21 5/8"
National Gallery of Art, Washington DC
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Orchard in Bloom at Louveciennes
1872 17 3/4" x 21 5/8"
National Gallery of Art, Washington DC
Painting ID:: 4340
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Orchard_in_Bloom_at_Louveciennes
1872 17 3/4" x 21 5/8"
National Gallery of Art, Washington DC
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The Artist's Garden at Eragny
1898 29" x 36 3/8"
National Gallery of Art, Washington DC
Painting ID:: 4341
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The_Artist's_Garden_at_Eragny
1898 29" x 36 3/8"
National Gallery of Art, Washington DC
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Washerwoman, Eragny sur Epte
1895
Painting ID:: 4342
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Washerwoman,_Eragny_sur_Epte
1895
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Apple Picking at Eragny sur Epte
1888 Dalla Museum of Art
Painting ID:: 4343
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Apple_Picking_at_Eragny_sur_Epte
1888 Dalla Museum of Art
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Camille_Pissaro
1830-1903
French
Camille Pissarro Locations
Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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ARTISTS INDEX A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
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