Oil Painting Artist::. BOTTICELLI, Sandro

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     BOTTICELLI, Sandro
    Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.

BOTTICELLI, Sandro The Story of Nastagio degli Onesti (detail of the second episode)  dghg oil painting artist
 Click Image to Enlarge
The Story of Nastagio degli Onesti (detail of the second episode) dghg
1483 Tempera on panel Museo del Prado, Madrid

     Painting ID::  5293
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Story_of_Nastagio_degli_Onesti_(detail_of_the_second_episode)__dghg
1483 Tempera on panel Museo del Prado, Madrid

BOTTICELLI, Sandro The Story of Nastagio degli Onesti (detail of the second episode) hgf oil painting artist
 Click Image to Enlarge
The Story of Nastagio degli Onesti (detail of the second episode) hgf
1483 Tempera on panel Museo del Prado, Madrid

     Painting ID::  5294
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Story_of_Nastagio_degli_Onesti_(detail_of_the_second_episode)_hgf
1483 Tempera on panel Museo del Prado, Madrid

BOTTICELLI, Sandro The Story of Nastagio degli Onesti (third episode) fdgfd oil painting artist
 Click Image to Enlarge
The Story of Nastagio degli Onesti (third episode) fdgfd
1483 Tempera on panel, 83 x 142 cm Museo del Prado, Madrid

     Painting ID::  5295
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Story_of_Nastagio_degli_Onesti_(third_episode)_fdgfd
1483 Tempera on panel, 83 x 142 cm Museo del Prado, Madrid

BOTTICELLI, Sandro The Story of Nastagio degli Onesti (detail of the third episode) vgd oil painting artist
 Click Image to Enlarge
The Story of Nastagio degli Onesti (detail of the third episode) vgd
1483 Tempera on panel Museo del Prado, Madrid

     Painting ID::  5296
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Story_of_Nastagio_degli_Onesti_(detail_of_the_third_episode)_vgd
1483 Tempera on panel Museo del Prado, Madrid

BOTTICELLI, Sandro The Story of Nastagio degli Onesti (forth episode) df oil painting artist
 Click Image to Enlarge
The Story of Nastagio degli Onesti (forth episode) df
1483 Tempera on panel, 83 x 142 cm Private collection

     Painting ID::  5297
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Story_of_Nastagio_degli_Onesti_(forth_episode)_df
1483 Tempera on panel, 83 x 142 cm Private collection

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     BOTTICELLI,_Sandro
    Italian Early Renaissance Painter, 1445-1510 Alessandro di Mariano di Vanni Filipepi, better known as Sandro Botticelli or Il Botticello ("The Little Barrel"; March 1, 1445 ?C May 17, 1510) was an Italian painter of the Florentine school during the Early Renaissance (Quattrocento). Less than a hundred years later, this movement, under the patronage of Lorenzo de' Medici, was characterized by Giorgio Vasari as a "golden age", a thought, suitably enough, he expressed at the head of his Vita of Botticelli. His posthumous reputation suffered until the late 19th century; since then his work has been seen to represent the linear grace of Early Renaissance painting, and The Birth of Venus and Primavera rank now among the most familiar masterpieces of Florentine art. Details of Botticelli's life are sparse, but we know that he became an apprentice when he was about fourteen years old, which would indicate that he received a fuller education than did other Renaissance artists. Vasari reported that he was initially trained as a goldsmith by his brother Antonio. Probably by 1462 he was apprenticed to Fra Filippo Lippi; many of his early works have been attributed to the elder master, and attributions continue to be uncertain. Influenced also by the monumentality of Masaccio's painting, it was from Lippi that Botticelli learned a more intimate and detailed manner. As recently discovered, during this time, Botticelli could have traveled to Hungary, participating in the creation of a fresco in Esztergom, ordered in the workshop of Fra Filippo Lippi by Vitez J??nos, then archbishop of Hungary. By 1470 Botticelli had his own workshop. Even at this early date his work was characterized by a conception of the figure as if seen in low relief, drawn with clear contours, and minimizing strong contrasts of light and shadow which would indicate fully modeled forms.

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