Oil Painting Artist::. DYCK, Sir Anthony Van

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     DYCK, Sir Anthony Van
    Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;

DYCK, Sir Anthony Van Portrait of Porzia Imperiale and Her Daughter fg oil painting artist
 Click Image to Enlarge
Portrait of Porzia Imperiale and Her Daughter fg
c. 1628 Oil on canvas, 184,5 x 134 cm Mus??es Royaux des Beaux-Arts, Brussels

     Painting ID::  6535
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Porzia_Imperiale_and_Her_Daughter_fg
c. 1628 Oil on canvas, 184,5 x 134 cm Mus??es Royaux des Beaux-Arts, Brussels

DYCK, Sir Anthony Van Christ on the Cross dfg oil painting artist
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Christ on the Cross dfg
Oil on canvas Sint-Jacobskerk, Antwerp

     Painting ID::  6536
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Christ_on_the_Cross_dfg
Oil on canvas Sint-Jacobskerk, Antwerp

DYCK, Sir Anthony Van Crowning with Thorns fdg oil painting artist
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Crowning with Thorns fdg
1618-20 Oil on canvas, 223 x 196 cm Museo del Prado, Madrid

     Painting ID::  6537
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Crowning_with_Thorns_fdg
1618-20 Oil on canvas, 223 x 196 cm Museo del Prado, Madrid

DYCK, Sir Anthony Van Cupid and Psyche df oil painting artist
 Click Image to Enlarge
Cupid and Psyche df
1639-40 Oil on canvas, 199,4 x 191,8 cm Royal Collection, Windsor

     Painting ID::  6538
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Cupid_and_Psyche_df
1639-40 Oil on canvas, 199,4 x 191,8 cm Royal Collection, Windsor

DYCK, Sir Anthony Van Deposition gh25 oil painting artist
 Click Image to Enlarge
Deposition gh25
1634 Oil on panel Alte Pinakothek, Munich

     Painting ID::  6539
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Deposition_gh25
1634 Oil on panel Alte Pinakothek, Munich

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     DYCK,_Sir_Anthony_Van
    Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone;

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