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Monamy, Peter
English Painter, 1681-1749
English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703
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Greenwhich frome the North bank of the Thames
mk175
Painting ID:: 44729
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Greenwhich_frome_the_North_bank_of_the_Thames
mk175
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The Royal yacht Peregrine and another yacht in the Medway off Gillingham Kent,Passing Upnor Castel
mk175
26inx61in
Painting ID:: 44730
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The_Royal_yacht_Peregrine_and_another_yacht_in_the_Medway_off_Gillingham_Kent,Passing_Upnor_Castel
mk175
26inx61in
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A panoranma of the Bosporus at Constantinople the City spread along the European western shore,the Asian eastern shore guarded by Leander-s Tower
mk175
Painting ID:: 44731
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A_panoranma_of_the_Bosporus_at_Constantinople_the_City_spread_along_the_European_western_shore,the_Asian_eastern_shore_guarded_by_Leander-s_Tower
mk175
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An english privateer in three positions
mk175
23x29
Painting ID:: 44732
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An_english_privateer_in_three_positions
mk175
23x29
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English Cutter-righged yacht in two positions
mk175
29x36
Painting ID:: 44733
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English_Cutter-righged_yacht_in_two_positions
mk175
29x36
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Monamy,_Peter
English Painter, 1681-1749
English painter. It seems likely that his family origins and name were French. The Painter-Stainers' Company records that he was apprenticed as a house painter to William Clarke from 1696, but by 1710 he had become a marine artist, filling the gap in the market left by the death of Willem van de Velde the younger in 1707. Most of his subsequent career was devoted to careful imitations of van de Velde's style (and, in some cases, of particular pictures), by which, according to Vertue, 'he distinguished himself and came into reputation'. He maintained his links with the Painter-Stainers, of which he had been made a freeman in 1703
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