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Eugene Boudin
1824-1898
French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.
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krinoliner pa stranden i trouville
1869
se
Painting ID:: 67750
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krinoliner_pa_stranden_i_trouville
1869
se
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Trouville Scene de plage
oil on wood painting by Eugene Boudin
Painting ID:: 69453
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Trouville_Scene_de_plage
oil on wood painting by Eugene Boudin
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Dordrecht, the Grote Kerk from the Canal
ca. 1874(1874)
Oil on panel
35.1 x 26.4 cm (13.82 x 10.39 in)
Painting ID:: 71921
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Dordrecht,_the_Grote_Kerk_from_the_Canal
ca. 1874(1874)
Oil on panel
35.1 x 26.4 cm (13.82 x 10.39 in)
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Beach Scene
"Beach Scene," by Eugene Louis Boudin, oil on canvas. 9 3/8 in. x 14 1/2 in. Yale University Art Gallery, gift of Edward B. Greene, B.A. 1900. Courtesy of Yale University, New Haven, Conn.
cjr
Painting ID:: 72943
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Beach_Scene
"Beach Scene," by Eugene Louis Boudin, oil on canvas. 9 3/8 in. x 14 1/2 in. Yale University Art Gallery, gift of Edward B. Greene, B.A. 1900. Courtesy of Yale University, New Haven, Conn.
cjr
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Dordrecht the Grote Kerk from the Canal
Date ca. 1874(1874)
Medium Oil on panel
Dimensions 35.1 X 26.4 cm (13.82 X 10.39 in)
cyf
Painting ID:: 73212
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Dordrecht_the_Grote_Kerk_from_the_Canal
Date ca. 1874(1874)
Medium Oil on panel
Dimensions 35.1 X 26.4 cm (13.82 X 10.39 in)
cyf
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Eugene_Boudin
1824-1898
French landscape painter. Encouraged at an early age by Jean-Francois Millet, Boudin became a strong advocate of painting directly from nature. In 1874 he exhibited with the Impressionists, but, unlike those painters, he was not an innovator, and from 1863 to 1897 he exhibited regularly in the official Salon. His favourite subjects were beach scenes and seascapes, which show remarkable sensitivity to effects of atmosphere; on the backs of his paintings he recorded the weather, light, and time of day. His works link the careful naturalism of the mid 19th century and the brilliant colours and fluid brushwork of Impressionism.
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