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Andrea del Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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The Sacrifice of Abraham
Poplar, 213 x 159 cm
Gemäldegalerie, Dresden
Painting ID:: 4807
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The_Sacrifice_of_Abraham
Poplar, 213 x 159 cm
Gemäldegalerie, Dresden
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The Holy Family with Angels (mk05)
ca 1515/16 Wood,551/2 x 42 1/2''(141 x 108 cm)Painted for Francois I,collection of Louis XIV
Painting ID:: 20147
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The_Holy_Family_with_Angels_(mk05)
ca 1515/16 Wood,551/2 x 42 1/2''(141 x 108 cm)Painted for Francois I,collection of Louis XIV
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Charity (mk05)
Canvas,73 x 54''(185 x 137 cm)Painted for Francois I,collection of Louis XIV
Painting ID:: 20148
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Charity_(mk05)
Canvas,73 x 54''(185 x 137 cm)Painted for Francois I,collection of Louis XIV
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Portrait of a Young Woman (san05)
c 1513-1514
Oil on panel 73 x 56 cm
Painting ID:: 20963
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Portrait_of_a_Young_Woman_(san05)
c 1513-1514
Oil on panel 73 x 56 cm
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The Madonna of the Stair (san05)
c 1522
Oil on panel 177 x 135 cm
Painting ID:: 20964
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The_Madonna_of_the_Stair_(san05)
c 1522
Oil on panel 177 x 135 cm
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Andrea_del_Sarto
Italian High Renaissance Painter , 1486-1530
Italian painter and draughtsman. He was the leading painter in Florence in the early years of the 16th century, and, under the influence of Leonardo da Vinci, Fra Bartolommeo, Michelangelo and Raphael, he elaborated and perfected the classical style of the High Renaissance. In the second decade of the 16th century his art anticipated aspects of Mannerism, while his direct, immediate works of the 1520s became important models for the more naturalistic Tuscan artists of the Counter-Reformation. He painted mainly religious works, including both altarpieces and major cycles of frescoes. His portraits, distinguished by a dreamily poetic quality,
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