Oil Painting Artist::. GIOTTO di Bondone

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     GIOTTO di Bondone
    Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

GIOTTO di Bondone The Lamentation of Christ oil painting artist
 Click Image to Enlarge
The Lamentation of Christ
mk86 1303-1305 Fresco 185x200cm Padua,Arena Chapel

     Painting ID::  33311
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Lamentation_of_Christ
mk86 1303-1305 Fresco 185x200cm Padua,Arena Chapel

GIOTTO di Bondone St Francis Giving his Cloak to a Poor Man oil painting artist
 Click Image to Enlarge
St Francis Giving his Cloak to a Poor Man
mk86 between 1296 and 1299 Fresco 270x230cm

     Painting ID::  33312
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  St_Francis_Giving_his_Cloak_to_a_Poor_Man
mk86 between 1296 and 1299 Fresco 270x230cm

GIOTTO di Bondone Joachims Traum oil painting artist
 Click Image to Enlarge
Joachims Traum
mk92 1304-1306 Padua,Arenakapelle

     Painting ID::  34384
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Joachims_Traum
mk92 1304-1306 Padua,Arenakapelle

GIOTTO di Bondone Throning God mother with the child oil painting artist
 Click Image to Enlarge
Throning God mother with the child
mk137 1310 Tempera on wood chalkboard 325x204cm Galleria degli Uffizi, Florence

     Painting ID::  38431
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Throning_God_mother_with_the_child
mk137 1310 Tempera on wood chalkboard 325x204cm Galleria degli Uffizi, Florence

GIOTTO di Bondone The Demons are Cast out of Arezzo oil painting artist
 Click Image to Enlarge
The Demons are Cast out of Arezzo
mk156 1296-1297 Fresco Upper Church of San Francesco

     Painting ID::  40126
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Demons_are_Cast_out_of_Arezzo
mk156 1296-1297 Fresco Upper Church of San Francesco

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     GIOTTO_di_Bondone
    Italian Early Renaissance Painter, 1267-1337 Italian painter and designer. In his own time and place he had an unrivalled reputation as the best painter and as an innovator, superior to all his predecessors, and he became the first post-Classical artist whose fame extended beyond his lifetime and native city. This was partly the consequence of the rich literary culture of two of the cities where he worked, Padua and Florence. Writing on art in Florence was pioneered by gifted authors and, although not quite art criticism, it involved the comparison of local artists in terms of quality. The most famous single appreciation is found in Dante's verses (Purgatory x) of 1315 or earlier. Exemplifying the transience of fame, first with poets and manuscript illuminators, Dante then remarked that the fame of Cimabue, who had supposed himself to be the leader in painting, had now been displaced by Giotto. Ironically, this text was one factor that forestalled the similar eclipse of Giotto's fame, which was clearly implied by the poet.

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