Oil Painting Artist::. Corot Camille

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     Corot Camille
    French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers

Corot Camille View of Saint-It oil painting artist
 Click Image to Enlarge
View of Saint-It
mk131 1833 Corot continuous developing in France the same way of Representing cities in lajanas views panoramicas learned in ltalia the decada previous

     Painting ID::  38115
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  View_of_Saint-It
mk131 1833 Corot continuous developing in France the same way of Representing cities in lajanas views panoramicas learned in ltalia the decada previous

Corot Camille The Cathedral of market analyses oil painting artist
 Click Image to Enlarge
The Cathedral of market analyses
mk131 1830 TO Corot him sorpendio in chartres the Revolucion of July

     Painting ID::  38116
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Cathedral_of_market_analyses
mk131 1830 TO Corot him sorpendio in chartres the Revolucion of July

Corot Camille The Cathedral of market analyses oil painting artist
 Click Image to Enlarge
The Cathedral of market analyses
mk131 1830 TO Corot him sorpendio in chartres the Revolucion of July

     Painting ID::  38117
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  The_Cathedral_of_market_analyses
mk131 1830 TO Corot him sorpendio in chartres the Revolucion of July

Corot Camille The antepuerto of Rouen oil painting artist
 Click Image to Enlarge
The antepuerto of Rouen
mk131 1834 Almost all the painters of the XIX-EVEN the own impressionists changed of registration in the sent pictures al

     Painting ID::  38118
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_antepuerto_of_Rouen
mk131 1834 Almost all the painters of the XIX-EVEN the own impressionists changed of registration in the sent pictures al

Corot Camille The Seine and the Quai give orfevres oil painting artist
 Click Image to Enlarge
The Seine and the Quai give orfevres
mk131 1835 Almost all the painters of the XIX-EVEN the own impressionists changed of registration in the sent pictures al

     Painting ID::  38119
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Seine_and_the_Quai_give_orfevres
mk131 1835 Almost all the painters of the XIX-EVEN the own impressionists changed of registration in the sent pictures al

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     Corot_Camille
    French Realist Painter , 1796-1875 French painter, draughtsman and printmaker. After a classical education at the Coll?ge de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family's continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon's death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers

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