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Samuel Palmer
1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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The White Cloud
mk49
c.1833-4
Oil and tempera,transferred from millboard to canvas
Painting ID:: 26396
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The_White_Cloud
mk49
c.1833-4
Oil and tempera,transferred from millboard to canvas
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The Bright Cloud
mk49
c.1833-4
Oil and tempera on mahogany panel
23.2x31.7cm
Painting ID:: 26397
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The_Bright_Cloud
mk49
c.1833-4
Oil and tempera on mahogany panel
23.2x31.7cm
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The Shearers
mk49
c.1833-4
Oil and tempera over black chald on heavy oak panel
51.4x71.1cm
Painting ID:: 26398
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The_Shearers
mk49
c.1833-4
Oil and tempera over black chald on heavy oak panel
51.4x71.1cm
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The Sleeping Shepherd
mk49
c.1834-5
Tempera and oil over chalk with scratching out on board
laid down on panel
38.1x51.4cm
Painting ID:: 26399
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The_Sleeping_Shepherd
mk49
c.1834-5
Tempera and oil over chalk with scratching out on board
laid down on panel
38.1x51.4cm
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Landscape-Twilight
mk49
c.1834
Oil and tempera with pen and ink on panel
23x28cm
Painting ID:: 26400
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Landscape-Twilight
mk49
c.1834
Oil and tempera with pen and ink on panel
23x28cm
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Samuel_Palmer
1805-1881
British
Samuel Palmer Galleries
English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.
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