Oil Painting Artist::. Francesco Hayez

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     Francesco Hayez
    1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

Francesco Hayez Release of Vittor Pisani from the dungeon oil painting artist
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Release of Vittor Pisani from the dungeon
Release of Vittor Pisani from the dungeon (1840) Villa Carlotta, Tremezzo

     Painting ID::  59286
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  Release_of_Vittor_Pisani_from_the_dungeon
Release of Vittor Pisani from the dungeon (1840) Villa Carlotta, Tremezzo

Francesco Hayez Portrait of the princess of Sant Antimo oil painting artist
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Portrait of the princess of Sant Antimo
Portrait of the princess of Sant' Antimo (1840-1844) Museo di San Martino, Naples

     Painting ID::  59289
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_the_princess_of_Sant_Antimo
Portrait of the princess of Sant' Antimo (1840-1844) Museo di San Martino, Naples

Francesco Hayez Portrait of the Emperor Ferdinand I of Austria oil painting artist
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Portrait of the Emperor Ferdinand I of Austria
Portrait of the Emperor Ferdinand I of Austria (1840) Museo del Risorgimento, Milan

     Painting ID::  59290
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_the_Emperor_Ferdinand_I_of_Austria
Portrait of the Emperor Ferdinand I of Austria (1840) Museo del Risorgimento, Milan

Francesco Hayez Portrait of Alessandro Manzoni oil painting artist
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Portrait of Alessandro Manzoni
Portrait of Alessandro Manzoni (1841) Pinacoteca di Brera, Milan

     Painting ID::  59291
INCHES CM PRICE  
16x20 40x50 $69
20x24 50x60 $89
24x36 60x90 $139
30x40 75x100 $149
36x48 90x120 $219
48x72 120x180 $399
  Portrait_of_Alessandro_Manzoni
Portrait of Alessandro Manzoni (1841) Pinacoteca di Brera, Milan

Francesco Hayez The Parting of the Two Foscari oil painting artist
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The Parting of the Two Foscari
The Parting of the Two Foscari (1842) Galleria d'Arte Moderna, Florence

     Painting ID::  59292
INCHES CM PRICE  
16x20 40x50 $99
20x24 50x60 $119
24x36 60x90 $159
30x40 75x100 $199
36x48 90x120 $269
48x72 120x180 $469
  The_Parting_of_the_Two_Foscari
The Parting of the Two Foscari (1842) Galleria d'Arte Moderna, Florence

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     Francesco_Hayez
    1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.

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